Mouvement Perp\u00e9tuel<\/h1><\/div>28 nov – 10 h – Institut del Teatre<\/h2><\/div>Entrada gratu\u00efta<\/h3><\/div><\/div><\/div><\/div><\/div>Premi Screendance<\/h2><\/div>En col\u00b7laboraci\u00f3 amb Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\nAmb la participaci\u00f3 dels directors, Marlene Millar i Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\nMouvement Perp\u00e9tuel<\/strong> \u00e9s una productora independent de cinema, v\u00eddeo i nous mitjans amb seu a Montreal, especialitzada en programaci\u00f3 art\u00edstica. Els seus codirectors, Marlene Millar i Philip Szporer, creen films dansa-medi\u00e0tics impressionistes, documentals d\u2019art i instal\u00b7lacions de v\u00eddeo multicanal, amb coreografies expansives i retrats de destacats ballarins i core\u00f2grafs contemporanis del Quebec\/Canad\u00e0, aix\u00ed com de cultures d\u2019Am\u00e8rica, Europa i \u00c0sia. El p\u00fablic \u00e9s convidat a rastrejar \u00edntimament els plecs de l\u2019experi\u00e8ncia humana.<\/span><\/p>\nVint-i-cinc anys de traject\u00f2ria:<\/strong> una retrospectiva del nostre cat\u00e0leg. No \u00e9s f\u00e0cil crear una obra amb el pas del temps, per\u00f2 no nom\u00e9s seguim aqu\u00ed: estem vius, en plena efervesc\u00e8ncia creativa. Hem explorat el g\u00e8nere del screendance mitjan\u00e7ant projectes personals, q\u00fcestionant i inscrivint l\u2019ess\u00e8ncia de la dansa i el moviment hum\u00e0 en relaci\u00f3 amb el cinema.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/bhairava.jpg\" "\\"bhairava\\"")
<\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>Durada: <\/strong><\/span>0:13:45<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/span><\/strong> Shantala Shivalingappa<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2017<\/p>\nSinopsi<\/strong><\/span>
\nBhairava \u00e9s un aspecte de Shiva, el Senyor de la Dansa, en la seva condici\u00f3 com a destructor del mal i guardi\u00e0 del temps. \u00c9s ferotge i duu a terme actes terribles, per\u00f2 tamb\u00e9 \u00e9s el Protector Div\u00ed i Guardi\u00e0 Suprem, i la seva intenci\u00f3 neix de la compassi\u00f3 pura. En aquesta obra, impulsada per una partitura musical poderosa i evocadora i per l\u2019energia singular de l\u2019antic lloc de Hampi, la ballarina i core\u00f2grafa Shantala Shivalingappa encarna la pres\u00e8ncia i les qualitats distintives de Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/the-hunt.jpg\" "\\"the-hunt\\"")
<\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>Durada: <\/strong><\/span>0:04:48<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Sharon Moore<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\nRRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\nSinopsi<\/strong><\/span>
\nLa intensitat d’una lluita interna es manifesta a l’exterior, revelada a trav\u00e9s d’una visi\u00f3 \u00edntima i fragmentada del ballar\u00ed Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/40.jpg\" "\\"40\\"")
<\/span><\/div><\/div><\/div>40<\/h2><\/div>Durada: <\/strong><\/span>0:05:30<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\nSinopsi<\/strong><\/span>
\nUn home en un moment crucial de la seva vida: a la quarantena, encara vital i fort per\u00f2 fent balan\u00e7, desemmascarant-se i exposant les seves esperances, passions, vulnerabilitats i penediments. Un homenatge al difunt Ken Roy que segueix el seu viatge d’autodescobriment.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/the-greater-the-weight.jpg\" "\\"the-greater-the-weight\\"")
<\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>Durada: <\/strong><\/span>0:05:20<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Dana Michel<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2008<\/p>\nSinopsis<\/strong><\/span>
\nUna reflexi\u00f3 sobre el moment en qu\u00e8 un ensopega, sigui per accident o a prop\u00f2sit. De vegades un pot recuperar-se r\u00e0pidament i aixecar-se\u2026 d\u2019altres vegades no \u00e9s tan f\u00e0cil. El resultat \u00e9s una exploraci\u00f3 del cos com a instrument en una simfonia de ruptura i flux.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/byron-chief-moon-grey-horse-rider.jpg\" "\\"byron-chief-moon-grey-horse-rider\\"")
<\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Byron Chief-Moon<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2007<\/p>\nSinopsi<\/strong>
\nA trav\u00e9s del seu art i la seva vida, la hist\u00f2ria de Chief-Moon \u00e9s un testimoni de superviv\u00e8ncia cultural. Els temes de les seves creacions de dansa parteixen de les hist\u00f2ries tradicionals del seu poble, el vincle amb la terra i la comunitat, aix\u00ed com del conflicte interior que enfronta en formar part tant de la cultura ind\u00edgena com de la societat majorit\u00e0ria.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/maboungou.jpg\" "\\"maboungou\\"")
<\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Zab Maboungou<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2022<\/p>\nSinopsi<\/strong><\/span>
\nDurant m\u00e9s de trenta anys, la core\u00f2grafa i fil\u00f2sofa establerta a Montreal Zab Maboungou, d’origen franco-congol\u00e8s, ha dinamitzat l’escena de la dansa contempor\u00e0nia amb la seva concepci\u00f3 replantejada radicalment del temps, el cos i l’\u00e9sser. La seva traject\u00f2ria pol\u00edtica, el seu art i la seva investigaci\u00f3 pionera han empoderat altres artistes africans arreu del m\u00f3n.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/mercy.jpg\" "\\"mercy\\"")
<\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>Durada: <\/strong><\/span>0:16:00<\/p>\nDirector:<\/span><\/strong> Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e1, 2025<\/p>\nSinopsi<\/strong><\/span>
\nMercy entrella\u00e7a poesia i imatges amb gestos, moviment i veu en una meditaci\u00f3 intricada sobre la condici\u00f3 de la dona negra. La pel\u00b7l\u00edcula expressa q\u00fcestions de ra\u00e7a, lloc i identitat, i aprofundeix en els discursos de doble veu de la tradici\u00f3 liter\u00e0ria negra que aborda la complexitat que l’esclau aprengui la llengua del seu captor.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4743","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMouvement P\u00e9rpetuel - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/ca\/mouvement-perpetuel\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouvement P\u00e9rpetuel - 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28 nov – 10 h – Institut del Teatre<\/h2><\/div>Entrada gratu\u00efta<\/h3><\/div><\/div><\/div><\/div><\/div>Premi Screendance<\/h2><\/div>En col\u00b7laboraci\u00f3 amb Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\nAmb la participaci\u00f3 dels directors, Marlene Millar i Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\nMouvement Perp\u00e9tuel<\/strong> \u00e9s una productora independent de cinema, v\u00eddeo i nous mitjans amb seu a Montreal, especialitzada en programaci\u00f3 art\u00edstica. Els seus codirectors, Marlene Millar i Philip Szporer, creen films dansa-medi\u00e0tics impressionistes, documentals d\u2019art i instal\u00b7lacions de v\u00eddeo multicanal, amb coreografies expansives i retrats de destacats ballarins i core\u00f2grafs contemporanis del Quebec\/Canad\u00e0, aix\u00ed com de cultures d\u2019Am\u00e8rica, Europa i \u00c0sia. El p\u00fablic \u00e9s convidat a rastrejar \u00edntimament els plecs de l\u2019experi\u00e8ncia humana.<\/span><\/p>\nVint-i-cinc anys de traject\u00f2ria:<\/strong> una retrospectiva del nostre cat\u00e0leg. No \u00e9s f\u00e0cil crear una obra amb el pas del temps, per\u00f2 no nom\u00e9s seguim aqu\u00ed: estem vius, en plena efervesc\u00e8ncia creativa. Hem explorat el g\u00e8nere del screendance mitjan\u00e7ant projectes personals, q\u00fcestionant i inscrivint l\u2019ess\u00e8ncia de la dansa i el moviment hum\u00e0 en relaci\u00f3 amb el cinema.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>Durada: <\/strong><\/span>0:13:45<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/span><\/strong> Shantala Shivalingappa<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2017<\/p>\nSinopsi<\/strong><\/span>
\nBhairava \u00e9s un aspecte de Shiva, el Senyor de la Dansa, en la seva condici\u00f3 com a destructor del mal i guardi\u00e0 del temps. \u00c9s ferotge i duu a terme actes terribles, per\u00f2 tamb\u00e9 \u00e9s el Protector Div\u00ed i Guardi\u00e0 Suprem, i la seva intenci\u00f3 neix de la compassi\u00f3 pura. En aquesta obra, impulsada per una partitura musical poderosa i evocadora i per l\u2019energia singular de l\u2019antic lloc de Hampi, la ballarina i core\u00f2grafa Shantala Shivalingappa encarna la pres\u00e8ncia i les qualitats distintives de Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>Durada: <\/strong><\/span>0:04:48<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Sharon Moore<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\nRRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\nSinopsi<\/strong><\/span>
\nLa intensitat d’una lluita interna es manifesta a l’exterior, revelada a trav\u00e9s d’una visi\u00f3 \u00edntima i fragmentada del ballar\u00ed Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>40<\/h2><\/div>Durada: <\/strong><\/span>0:05:30<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\nSinopsi<\/strong><\/span>
\nUn home en un moment crucial de la seva vida: a la quarantena, encara vital i fort per\u00f2 fent balan\u00e7, desemmascarant-se i exposant les seves esperances, passions, vulnerabilitats i penediments. Un homenatge al difunt Ken Roy que segueix el seu viatge d’autodescobriment.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>Durada: <\/strong><\/span>0:05:20<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Dana Michel<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2008<\/p>\nSinopsis<\/strong><\/span>
\nUna reflexi\u00f3 sobre el moment en qu\u00e8 un ensopega, sigui per accident o a prop\u00f2sit. De vegades un pot recuperar-se r\u00e0pidament i aixecar-se\u2026 d\u2019altres vegades no \u00e9s tan f\u00e0cil. El resultat \u00e9s una exploraci\u00f3 del cos com a instrument en una simfonia de ruptura i flux.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Byron Chief-Moon<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2007<\/p>\nSinopsi<\/strong>
\nA trav\u00e9s del seu art i la seva vida, la hist\u00f2ria de Chief-Moon \u00e9s un testimoni de superviv\u00e8ncia cultural. Els temes de les seves creacions de dansa parteixen de les hist\u00f2ries tradicionals del seu poble, el vincle amb la terra i la comunitat, aix\u00ed com del conflicte interior que enfronta en formar part tant de la cultura ind\u00edgena com de la societat majorit\u00e0ria.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Zab Maboungou<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2022<\/p>\nSinopsi<\/strong><\/span>
\nDurant m\u00e9s de trenta anys, la core\u00f2grafa i fil\u00f2sofa establerta a Montreal Zab Maboungou, d’origen franco-congol\u00e8s, ha dinamitzat l’escena de la dansa contempor\u00e0nia amb la seva concepci\u00f3 replantejada radicalment del temps, el cos i l’\u00e9sser. La seva traject\u00f2ria pol\u00edtica, el seu art i la seva investigaci\u00f3 pionera han empoderat altres artistes africans arreu del m\u00f3n.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>Durada: <\/strong><\/span>0:16:00<\/p>\nDirector:<\/span><\/strong> Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e1, 2025<\/p>\nSinopsi<\/strong><\/span>
\nMercy entrella\u00e7a poesia i imatges amb gestos, moviment i veu en una meditaci\u00f3 intricada sobre la condici\u00f3 de la dona negra. La pel\u00b7l\u00edcula expressa q\u00fcestions de ra\u00e7a, lloc i identitat, i aprofundeix en els discursos de doble veu de la tradici\u00f3 liter\u00e0ria negra que aborda la complexitat que l’esclau aprengui la llengua del seu captor.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4743","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMouvement P\u00e9rpetuel - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/ca\/mouvement-perpetuel\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouvement P\u00e9rpetuel - 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Entrada gratu\u00efta<\/h3><\/div><\/div><\/div><\/div><\/div>Premi Screendance<\/h2><\/div>En col\u00b7laboraci\u00f3 amb Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\nAmb la participaci\u00f3 dels directors, Marlene Millar i Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\nMouvement Perp\u00e9tuel<\/strong> \u00e9s una productora independent de cinema, v\u00eddeo i nous mitjans amb seu a Montreal, especialitzada en programaci\u00f3 art\u00edstica. Els seus codirectors, Marlene Millar i Philip Szporer, creen films dansa-medi\u00e0tics impressionistes, documentals d\u2019art i instal\u00b7lacions de v\u00eddeo multicanal, amb coreografies expansives i retrats de destacats ballarins i core\u00f2grafs contemporanis del Quebec\/Canad\u00e0, aix\u00ed com de cultures d\u2019Am\u00e8rica, Europa i \u00c0sia. El p\u00fablic \u00e9s convidat a rastrejar \u00edntimament els plecs de l\u2019experi\u00e8ncia humana.<\/span><\/p>\nVint-i-cinc anys de traject\u00f2ria:<\/strong> una retrospectiva del nostre cat\u00e0leg. No \u00e9s f\u00e0cil crear una obra amb el pas del temps, per\u00f2 no nom\u00e9s seguim aqu\u00ed: estem vius, en plena efervesc\u00e8ncia creativa. Hem explorat el g\u00e8nere del screendance mitjan\u00e7ant projectes personals, q\u00fcestionant i inscrivint l\u2019ess\u00e8ncia de la dansa i el moviment hum\u00e0 en relaci\u00f3 amb el cinema.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>Durada: <\/strong><\/span>0:13:45<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/span><\/strong> Shantala Shivalingappa<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2017<\/p>\nSinopsi<\/strong><\/span>
\nBhairava \u00e9s un aspecte de Shiva, el Senyor de la Dansa, en la seva condici\u00f3 com a destructor del mal i guardi\u00e0 del temps. \u00c9s ferotge i duu a terme actes terribles, per\u00f2 tamb\u00e9 \u00e9s el Protector Div\u00ed i Guardi\u00e0 Suprem, i la seva intenci\u00f3 neix de la compassi\u00f3 pura. En aquesta obra, impulsada per una partitura musical poderosa i evocadora i per l\u2019energia singular de l\u2019antic lloc de Hampi, la ballarina i core\u00f2grafa Shantala Shivalingappa encarna la pres\u00e8ncia i les qualitats distintives de Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>Durada: <\/strong><\/span>0:04:48<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Sharon Moore<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\nRRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\nSinopsi<\/strong><\/span>
\nLa intensitat d’una lluita interna es manifesta a l’exterior, revelada a trav\u00e9s d’una visi\u00f3 \u00edntima i fragmentada del ballar\u00ed Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>40<\/h2><\/div>Durada: <\/strong><\/span>0:05:30<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\nSinopsi<\/strong><\/span>
\nUn home en un moment crucial de la seva vida: a la quarantena, encara vital i fort per\u00f2 fent balan\u00e7, desemmascarant-se i exposant les seves esperances, passions, vulnerabilitats i penediments. Un homenatge al difunt Ken Roy que segueix el seu viatge d’autodescobriment.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>Durada: <\/strong><\/span>0:05:20<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Dana Michel<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2008<\/p>\nSinopsis<\/strong><\/span>
\nUna reflexi\u00f3 sobre el moment en qu\u00e8 un ensopega, sigui per accident o a prop\u00f2sit. De vegades un pot recuperar-se r\u00e0pidament i aixecar-se\u2026 d\u2019altres vegades no \u00e9s tan f\u00e0cil. El resultat \u00e9s una exploraci\u00f3 del cos com a instrument en una simfonia de ruptura i flux.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Byron Chief-Moon<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2007<\/p>\nSinopsi<\/strong>
\nA trav\u00e9s del seu art i la seva vida, la hist\u00f2ria de Chief-Moon \u00e9s un testimoni de superviv\u00e8ncia cultural. Els temes de les seves creacions de dansa parteixen de les hist\u00f2ries tradicionals del seu poble, el vincle amb la terra i la comunitat, aix\u00ed com del conflicte interior que enfronta en formar part tant de la cultura ind\u00edgena com de la societat majorit\u00e0ria.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Zab Maboungou<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2022<\/p>\nSinopsi<\/strong><\/span>
\nDurant m\u00e9s de trenta anys, la core\u00f2grafa i fil\u00f2sofa establerta a Montreal Zab Maboungou, d’origen franco-congol\u00e8s, ha dinamitzat l’escena de la dansa contempor\u00e0nia amb la seva concepci\u00f3 replantejada radicalment del temps, el cos i l’\u00e9sser. La seva traject\u00f2ria pol\u00edtica, el seu art i la seva investigaci\u00f3 pionera han empoderat altres artistes africans arreu del m\u00f3n.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>Durada: <\/strong><\/span>0:16:00<\/p>\nDirector:<\/span><\/strong> Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e1, 2025<\/p>\nSinopsi<\/strong><\/span>
\nMercy entrella\u00e7a poesia i imatges amb gestos, moviment i veu en una meditaci\u00f3 intricada sobre la condici\u00f3 de la dona negra. La pel\u00b7l\u00edcula expressa q\u00fcestions de ra\u00e7a, lloc i identitat, i aprofundeix en els discursos de doble veu de la tradici\u00f3 liter\u00e0ria negra que aborda la complexitat que l’esclau aprengui la llengua del seu captor.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4743","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMouvement P\u00e9rpetuel - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/ca\/mouvement-perpetuel\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouvement P\u00e9rpetuel - 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Premi Screendance<\/h2><\/div>En col\u00b7laboraci\u00f3 amb Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\nAmb la participaci\u00f3 dels directors, Marlene Millar i Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\nMouvement Perp\u00e9tuel<\/strong> \u00e9s una productora independent de cinema, v\u00eddeo i nous mitjans amb seu a Montreal, especialitzada en programaci\u00f3 art\u00edstica. Els seus codirectors, Marlene Millar i Philip Szporer, creen films dansa-medi\u00e0tics impressionistes, documentals d\u2019art i instal\u00b7lacions de v\u00eddeo multicanal, amb coreografies expansives i retrats de destacats ballarins i core\u00f2grafs contemporanis del Quebec\/Canad\u00e0, aix\u00ed com de cultures d\u2019Am\u00e8rica, Europa i \u00c0sia. El p\u00fablic \u00e9s convidat a rastrejar \u00edntimament els plecs de l\u2019experi\u00e8ncia humana.<\/span><\/p>\nVint-i-cinc anys de traject\u00f2ria:<\/strong> una retrospectiva del nostre cat\u00e0leg. No \u00e9s f\u00e0cil crear una obra amb el pas del temps, per\u00f2 no nom\u00e9s seguim aqu\u00ed: estem vius, en plena efervesc\u00e8ncia creativa. Hem explorat el g\u00e8nere del screendance mitjan\u00e7ant projectes personals, q\u00fcestionant i inscrivint l\u2019ess\u00e8ncia de la dansa i el moviment hum\u00e0 en relaci\u00f3 amb el cinema.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>Durada: <\/strong><\/span>0:13:45<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/span><\/strong> Shantala Shivalingappa<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2017<\/p>\nSinopsi<\/strong><\/span>
\nBhairava \u00e9s un aspecte de Shiva, el Senyor de la Dansa, en la seva condici\u00f3 com a destructor del mal i guardi\u00e0 del temps. \u00c9s ferotge i duu a terme actes terribles, per\u00f2 tamb\u00e9 \u00e9s el Protector Div\u00ed i Guardi\u00e0 Suprem, i la seva intenci\u00f3 neix de la compassi\u00f3 pura. En aquesta obra, impulsada per una partitura musical poderosa i evocadora i per l\u2019energia singular de l\u2019antic lloc de Hampi, la ballarina i core\u00f2grafa Shantala Shivalingappa encarna la pres\u00e8ncia i les qualitats distintives de Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>Durada: <\/strong><\/span>0:04:48<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Sharon Moore<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\nRRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\nSinopsi<\/strong><\/span>
\nLa intensitat d’una lluita interna es manifesta a l’exterior, revelada a trav\u00e9s d’una visi\u00f3 \u00edntima i fragmentada del ballar\u00ed Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>40<\/h2><\/div>Durada: <\/strong><\/span>0:05:30<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\nSinopsi<\/strong><\/span>
\nUn home en un moment crucial de la seva vida: a la quarantena, encara vital i fort per\u00f2 fent balan\u00e7, desemmascarant-se i exposant les seves esperances, passions, vulnerabilitats i penediments. Un homenatge al difunt Ken Roy que segueix el seu viatge d’autodescobriment.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>Durada: <\/strong><\/span>0:05:20<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Dana Michel<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2008<\/p>\nSinopsis<\/strong><\/span>
\nUna reflexi\u00f3 sobre el moment en qu\u00e8 un ensopega, sigui per accident o a prop\u00f2sit. De vegades un pot recuperar-se r\u00e0pidament i aixecar-se\u2026 d\u2019altres vegades no \u00e9s tan f\u00e0cil. El resultat \u00e9s una exploraci\u00f3 del cos com a instrument en una simfonia de ruptura i flux.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Byron Chief-Moon<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2007<\/p>\nSinopsi<\/strong>
\nA trav\u00e9s del seu art i la seva vida, la hist\u00f2ria de Chief-Moon \u00e9s un testimoni de superviv\u00e8ncia cultural. Els temes de les seves creacions de dansa parteixen de les hist\u00f2ries tradicionals del seu poble, el vincle amb la terra i la comunitat, aix\u00ed com del conflicte interior que enfronta en formar part tant de la cultura ind\u00edgena com de la societat majorit\u00e0ria.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Zab Maboungou<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2022<\/p>\nSinopsi<\/strong><\/span>
\nDurant m\u00e9s de trenta anys, la core\u00f2grafa i fil\u00f2sofa establerta a Montreal Zab Maboungou, d’origen franco-congol\u00e8s, ha dinamitzat l’escena de la dansa contempor\u00e0nia amb la seva concepci\u00f3 replantejada radicalment del temps, el cos i l’\u00e9sser. La seva traject\u00f2ria pol\u00edtica, el seu art i la seva investigaci\u00f3 pionera han empoderat altres artistes africans arreu del m\u00f3n.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>Durada: <\/strong><\/span>0:16:00<\/p>\nDirector:<\/span><\/strong> Philip Szporer<\/p>\nCoreografia:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\nPa\u00eds, Any:<\/strong><\/span> Canad\u00e1, 2025<\/p>\nSinopsi<\/strong><\/span>
\nMercy entrella\u00e7a poesia i imatges amb gestos, moviment i veu en una meditaci\u00f3 intricada sobre la condici\u00f3 de la dona negra. La pel\u00b7l\u00edcula expressa q\u00fcestions de ra\u00e7a, lloc i identitat, i aprofundeix en els discursos de doble veu de la tradici\u00f3 liter\u00e0ria negra que aborda la complexitat que l’esclau aprengui la llengua del seu captor.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4743","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMouvement P\u00e9rpetuel - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/ca\/mouvement-perpetuel\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouvement P\u00e9rpetuel - 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En col\u00b7laboraci\u00f3 amb Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\n Amb la participaci\u00f3 dels directors, Marlene Millar i Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\n Mouvement Perp\u00e9tuel<\/strong> \u00e9s una productora independent de cinema, v\u00eddeo i nous mitjans amb seu a Montreal, especialitzada en programaci\u00f3 art\u00edstica. Els seus codirectors, Marlene Millar i Philip Szporer, creen films dansa-medi\u00e0tics impressionistes, documentals d\u2019art i instal\u00b7lacions de v\u00eddeo multicanal, amb coreografies expansives i retrats de destacats ballarins i core\u00f2grafs contemporanis del Quebec\/Canad\u00e0, aix\u00ed com de cultures d\u2019Am\u00e8rica, Europa i \u00c0sia. El p\u00fablic \u00e9s convidat a rastrejar \u00edntimament els plecs de l\u2019experi\u00e8ncia humana.<\/span><\/p>\n Vint-i-cinc anys de traject\u00f2ria:<\/strong> una retrospectiva del nostre cat\u00e0leg. No \u00e9s f\u00e0cil crear una obra amb el pas del temps, per\u00f2 no nom\u00e9s seguim aqu\u00ed: estem vius, en plena efervesc\u00e8ncia creativa. Hem explorat el g\u00e8nere del screendance mitjan\u00e7ant projectes personals, q\u00fcestionant i inscrivint l\u2019ess\u00e8ncia de la dansa i el moviment hum\u00e0 en relaci\u00f3 amb el cinema.<\/p>\n Durada: <\/strong><\/span>0:13:45<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Coreografia:<\/span><\/strong> Shantala Shivalingappa<\/p>\n Pa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2017<\/p>\n Sinopsi<\/strong><\/span> Durada: <\/strong><\/span>0:04:48<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Coreografia:<\/strong><\/span> Sharon Moore<\/p>\n Pa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\n RRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\n Sinopsi<\/strong><\/span> Durada: <\/strong><\/span>0:05:30<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Coreografia:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\n Pa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2005<\/p>\n Sinopsi<\/strong><\/span> Durada: <\/strong><\/span>0:05:20<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Coreografia:<\/strong><\/span> Dana Michel<\/p>\n Pa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2008<\/p>\n Sinopsis<\/strong><\/span> Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Coreografia:<\/strong><\/span> Byron Chief-Moon<\/p>\n Pa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2007<\/p>\n Sinopsi<\/strong> Durada: <\/strong><\/span>00:10:00 (excerpt)<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Coreografia:<\/strong><\/span> Zab Maboungou<\/p>\n Pa\u00eds, Any:<\/strong><\/span> Canad\u00e0, 2022<\/p>\n Sinopsi<\/strong><\/span> Durada: <\/strong><\/span>0:16:00<\/p>\n Director:<\/span><\/strong> Philip Szporer<\/p>\n Coreografia:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\n Pa\u00eds, Any:<\/strong><\/span> Canad\u00e1, 2025<\/p>\n Sinopsi<\/strong><\/span><\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>
\nBhairava \u00e9s un aspecte de Shiva, el Senyor de la Dansa, en la seva condici\u00f3 com a destructor del mal i guardi\u00e0 del temps. \u00c9s ferotge i duu a terme actes terribles, per\u00f2 tamb\u00e9 \u00e9s el Protector Div\u00ed i Guardi\u00e0 Suprem, i la seva intenci\u00f3 neix de la compassi\u00f3 pura. En aquesta obra, impulsada per una partitura musical poderosa i evocadora i per l\u2019energia singular de l\u2019antic lloc de Hampi, la ballarina i core\u00f2grafa Shantala Shivalingappa encarna la pres\u00e8ncia i les qualitats distintives de Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>
\nLa intensitat d’una lluita interna es manifesta a l’exterior, revelada a trav\u00e9s d’una visi\u00f3 \u00edntima i fragmentada del ballar\u00ed Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>40<\/h2><\/div>
\nUn home en un moment crucial de la seva vida: a la quarantena, encara vital i fort per\u00f2 fent balan\u00e7, desemmascarant-se i exposant les seves esperances, passions, vulnerabilitats i penediments. Un homenatge al difunt Ken Roy que segueix el seu viatge d’autodescobriment.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>
\nUna reflexi\u00f3 sobre el moment en qu\u00e8 un ensopega, sigui per accident o a prop\u00f2sit. De vegades un pot recuperar-se r\u00e0pidament i aixecar-se\u2026 d\u2019altres vegades no \u00e9s tan f\u00e0cil. El resultat \u00e9s una exploraci\u00f3 del cos com a instrument en una simfonia de ruptura i flux.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>
\nA trav\u00e9s del seu art i la seva vida, la hist\u00f2ria de Chief-Moon \u00e9s un testimoni de superviv\u00e8ncia cultural. Els temes de les seves creacions de dansa parteixen de les hist\u00f2ries tradicionals del seu poble, el vincle amb la terra i la comunitat, aix\u00ed com del conflicte interior que enfronta en formar part tant de la cultura ind\u00edgena com de la societat majorit\u00e0ria.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>
\nDurant m\u00e9s de trenta anys, la core\u00f2grafa i fil\u00f2sofa establerta a Montreal Zab Maboungou, d’origen franco-congol\u00e8s, ha dinamitzat l’escena de la dansa contempor\u00e0nia amb la seva concepci\u00f3 replantejada radicalment del temps, el cos i l’\u00e9sser. La seva traject\u00f2ria pol\u00edtica, el seu art i la seva investigaci\u00f3 pionera han empoderat altres artistes africans arreu del m\u00f3n.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>
\nMercy entrella\u00e7a poesia i imatges amb gestos, moviment i veu en una meditaci\u00f3 intricada sobre la condici\u00f3 de la dona negra. La pel\u00b7l\u00edcula expressa q\u00fcestions de ra\u00e7a, lloc i identitat, i aprofundeix en els discursos de doble veu de la tradici\u00f3 liter\u00e0ria negra que aborda la complexitat que l’esclau aprengui la llengua del seu captor.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4743","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\n