{"id":5483,"date":"2026-07-03T12:34:00","date_gmt":"2026-07-03T10:34:00","guid":{"rendered":"https:\/\/www.choreoscope.com\/xerinola-26\/"},"modified":"2026-07-24T12:20:25","modified_gmt":"2026-07-24T10:20:25","slug":"xerinola-26","status":"publish","type":"page","link":"https:\/\/www.choreoscope.com\/ca\/xerinola-26\/","title":{"rendered":"Xerinola 26"},"content":{"rendered":"

<\/div>

Xerinola<\/h1><\/div>

1 d’octubre – 18:30 h – Cinemes Girona<\/h2><\/div>

Compra anticipada i entrades a taquilla<\/strong>
\n\u23f3 1h19min
\n\ud83c\udf9e\ufe0f coreocurts
\n\ud83d\udc83 contemporani, butoh, ballet, experimental, flamenc
\nSessi\u00f3 adaptada a persones amb discapacitat auditiva (subt\u00edtols i int\u00e8rpret de signes)<\/strong><\/h3><\/div>

L’art local de Xerinola ens apropa a la visi\u00f3 catalana i espanyola de l’actualitat. Un viatge que va de les aurores boreals al fons del mar, de l’esgl\u00e9sia on es trenquen les cadenes a l’habitaci\u00f3 on dues germanes recuperen la llibertat. Butoh per a vaques, flamenc sense g\u00e8nere i un home que camina sense saber cap a on. Xerinola mira el que passa aqu\u00ed i ho explica ballant.<\/p>\n<\/div>

ENTRADES<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
<\/span><\/div><\/div><\/div>

Ind\u00f2mita<\/h2><\/div>

Durada: <\/strong><\/span>00:06:00
\nDirector:<\/span><\/strong> Tanit Graffelman
\nCoreografia:<\/span><\/strong> Tanit Graffelman, Idoia Rodr\u00edguez, Amaia Mart\u00ednez, Clarissa Costagliola, Ariadna Gelabert, Julie Van Minnebruggen, Mar\u00eda Jos\u00e9 Ruiz
\nPa\u00eds, Any:<\/strong><\/span> Espanya, 2025
\nXXSS:<\/strong><\/span> IG @taniitg
\nSinopsi<\/strong><\/span>
\nA trav\u00e9s d’un cos coreogr\u00e0fic de set dones situat a l’impressionant paisatge des\u00e8rtic de la Vall de l’Ebre, l’obra explora la relaci\u00f3 entre el cos femen\u00ed i la natura.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Parallel Worlds<\/h2><\/div>

Durada: <\/strong><\/span>0:02:08
\nDirector:<\/span><\/strong> Tasya Menaker
\nCoreografia:<\/strong><\/span> Annabelle Widmann, Liz Kueneke
\nPa\u00eds, Any:<\/strong><\/span> Espanya, 2025
\nXXSS:<\/strong><\/span> IG @aguascopio
\nSinopsi<\/strong><\/span>
\nUn m\u00f3n nou i poder\u00f3s, on les aig\u00fces brillen amb dimensions ocultes. Cada ondulaci\u00f3 actua com una porta d’entrada al mite i la m\u00e0gia, i \u00e9s amplificada per una banda sonora electr\u00f2nica immersiva.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

El gesto de portar agua<\/span><\/p>\n
<\/div><\/h2><\/div>

Durada: <\/strong><\/span>0:09:50
\nDirector:<\/span><\/strong> Paula Botella Andreu, Carmen Porras
\nPa\u00eds, Any:<\/strong><\/span> Alemanya, Espanya, 2025
\nSinopsi<\/strong><\/span>
\nLa presa de Qu\u00e9ntar, imaginada de bell nou com un llindar sagrat entre el pes de la hist\u00f2ria i la resplendor de la mem\u00f2ria viva. Inspirant-se en els moviments ancestrals de les dones per curar la ferida oberta per l’arribada de la Modernitat, buscant transformar un paisatge en crisi en un jard\u00ed expandit i brillant.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Ritual de servei<\/span><\/h2><\/div>

Durada: <\/strong><\/span>0:06:00
\nDirector:<\/span><\/strong> Joaqu\u00edn Baus Auil
\nCoreografia:<\/strong><\/span> Teatro Movimiento Anstatuanto
\nPa\u00eds, Any:<\/strong><\/span> Espanya, 2026
\nSinopsi<\/strong><\/span>
\nDues germanes serveixen a la casa d\u2019un senyor, i viuen sota la pressi\u00f3 de regles dures i manipulacions, atrapades en l\u2019encanteri d\u2019un mag pervers. Un dia s\u2019adonen que ja no poden continuar aix\u00ed: \u00e9s hora de reclamar la llibertat.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Effet\u00e1<\/span><\/p>\n
<\/div><\/h2><\/div>

Durada: <\/strong><\/span>0:07:00
\nDirector:<\/span><\/strong> Roger Bayerri, Jacob G\u00f3mez
\nCoreografia:<\/strong><\/span> Jacob G\u00f3mez
\nPa\u00eds, Any:<\/strong><\/span> Espanya, 2026
\nXXSS:<\/span><\/strong> IG @iabarcelona IG @contemporarydanceiab IG @jacob_gomez_ruiz
\nSinopsi<\/strong><\/span>
\nEffet\u00e1 \u2014que significa \u00abobre’t\u00bb\u2014 \u00e9s un ritual present en tradicions religioses que es transforma en una lit\u00fargia ballada. Dins d\u2019una esgl\u00e9sia, els vels, les ll\u00e0grimes i els gestos cauen, es trenquen i s\u2019alliberen de l\u2019opressi\u00f3.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Errape<\/span><\/h2><\/div>

Durada: <\/strong><\/span>0:09:30
\nDirector:<\/span><\/strong> Maitane Dorronsoro Erauntzetamurgil
\nCoreografia:<\/strong><\/span> Ainhoa Alberdi Gisasola
\nPa\u00eds, Any:<\/strong><\/span> 2025, Pa\u00eds Basc
\nXXSS:<\/strong><\/span> IG @maitadorron
\nSinopsi<\/strong><\/span>
\nEstrena mundial.<\/strong> Butoh per parlar de la ind\u00fastria l\u00e0ctia.
\nUna pe\u00e7a que oscil\u00b7la entre la narrativa i la improvisaci\u00f3 durant uns 10 minuts. Una seq\u00fc\u00e8ncia de plans basada en l’experimentaci\u00f3 amb el moviment, la imatge i el so.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

L’energumen<\/h2><\/div>

Durada: <\/strong><\/span>0:05:34
\nDirector:<\/span><\/strong> Albert Barros Cantero
\nCoreografia:<\/strong><\/span> Albert Barros Cantero
\nPa\u00eds, Any:<\/strong><\/span> Espanya, 2025
\nXXSS:<\/strong><\/span> IG @albertfunk36
\nSinopsi<\/strong><\/span>
\nUn home de trenta-un anys que viu una vida solit\u00e0ria es veu obligat a abandonar la llar i emprendre un viatge desconcertant, emp\u00e8s per forces que escapen a l\u2019enteniment hum\u00e0.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Field Recordings from Oblivion<\/h2><\/div>

Durada: <\/strong><\/span>0:21:09
\nDirector:<\/span><\/strong> Ferran Gordillo Palah\u00ed
\nCoreografia:<\/strong><\/span> Ferran Gordillo Palah\u00ed
\nPa\u00eds, Any:<\/strong><\/span> Espanya, 2025
\nXXSS:<\/strong> IG @ukupacha_company
\nSinopsi<\/strong><\/span>
\nUn viatge emocional que ens guia a trav\u00e9s d\u2019una trobada ef\u00edmera cap a l\u2019interior de dues ments, amb l\u2019amor i l\u2019oblit com a tel\u00f3 de fons i la perspectiva d\u2019una cultura digital que ho recorda tot.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

El vuelo del mant\u00f3n<\/span><\/h2><\/div>

Durada: <\/strong><\/span>0:05:35
\nDirector:<\/span><\/strong> Jaime Dezcallar
\nCoreografia:<\/strong><\/span> Manuel Li\u00f1\u00e1n
\nPa\u00eds, Any:<\/strong><\/span> Espanya, 2026
\nXXSS:<\/strong><\/span> IG @catorce_comunicacion
\nSinopsi<\/strong><\/span>
\nEn Manuel Li\u00f1\u00e1n \u00e9s un bailaor i core\u00f2graf de flamenc que ha transformat aquest art, fent-lo m\u00e9s lliure i contemporani. El vol del mant\u00f3 \u00e9s una sole\u00e1 interpretada amb bata de cua i mant\u00f3\u2014elements hist\u00f2ricament associats al flamenc femen\u00ed. En un art tan arrelat a la tradici\u00f3, la innovaci\u00f3 no sempre es compr\u00e8n, i la pol\u00e8mica pot esclatar de forma r\u00e0pida i ferotge. En Manuel ho sap molt b\u00e9.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

The Hand Dryer<\/span><\/h2><\/div>

Durada: <\/strong><\/span>0:04:04
\nDirector:<\/span><\/strong> Iker Karrera, Alberto D. Centeno i Nacho Monge
\nCoreografia:<\/strong><\/span> Iker Karrera
\nPa\u00eds, Any:<\/strong><\/span> Espanya, 2026
\nXXSS:<\/strong><\/span> IG @krera IG @albertodcenteno IG @nacho_monge
\nSinopsi<\/strong><\/span>
\nThe Hand Dryer parla de la soledat, d’enfrontar-se a una companyia inesperada, de comunicar-se amb l’altre en la incomoditat.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Gestos<\/h2><\/div>

Durada: <\/strong><\/span>0:07:40
\nDirector:<\/span><\/strong> Pablo Ros Cardona
\nCoreografia:<\/strong><\/span> Lula Amir
\nPa\u00eds, Any:<\/strong><\/span> Espanya, 2026
\nXXSS:<\/strong> IG @lula_amir
\nSinopsi<\/strong><\/span>
\nUn assaig senso-visual sobre la p\u00e8rdua de gestualitat a causa de l’\u00fas de les tecnologies.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5483","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nXerinola 26 - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/en\/xerinola-26\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Xerinola 26 - Choreoscope\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.choreoscope.com\/en\/xerinola-26\/\" \/>\n<meta property=\"og:site_name\" content=\"Choreoscope\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-24T10:20:25+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.choreoscope.com\/en\/xerinola-26\/\",\"url\":\"https:\/\/www.choreoscope.com\/en\/xerinola-26\/\",\"name\":\"Xerinola 26 - 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