{"id":1405,"date":"2017-10-02T20:19:56","date_gmt":"2017-10-02T18:19:56","guid":{"rendered":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/?page_id=1405"},"modified":"2019-01-21T18:43:28","modified_gmt":"2019-01-21T17:43:28","slug":"clara-van-gool","status":"publish","type":"page","link":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/clara-van-gool\/","title":{"rendered":"Clara Van Gool"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=\u00bb1\/6&#8243;][\/vc_column][vc_column width=\u00bb2\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item feat-top \"><div class=\"feat-dot feat-top\"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow feat-top\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-9902\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-9902 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-9902 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-853 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/10\/filmoteca.png\" alt=\"filmoteca\" width=\"277\" height=\"100\" \/><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-6096\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-6096 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-6096 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<h5 class=\"ult-timeline-title ult-responsive\" style=\"text-align: center;\" data-ultimate-target=\"#timeline-featured-1640 .ult-timeline-title\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">PROJECCIONS \/ PROYECCIONES \/ SCREENINGS<\/h5>\n<p style=\"text-align: center;\"><strong>Sede<\/strong>: Filmoteca de Catalunya<br \/>\n<strong>Sesi\u00f3n de clausura:\u00a0<\/strong><span style=\"text-decoration: underline;\">domingo 12 de noviembre | 19:30h<\/span><br \/>\n<strong>Precio<\/strong>: <a href=\"http:\/\/www.filmoteca.cat\/web\/entrades-i-abonaments\/entrades\" target=\"_blank\">www.filmoteca.cat\/web\/entrades-i-abonaments\/entrades<\/a><\/p>\n<p style=\"text-align: center;\">En la Sesi\u00f3n de Clausura proyectaremos dos\u00a0pel\u00edculas\u00a0de Clara Van Gool (Premio Honor\u00edfico 2017), el cortometraje <em>Prom night<\/em> de Celia Rowlson-Hall (Premio Aportaci\u00f3n Excepcional al Cine de Danza 2017) y haremos entrega del Palmar\u00e9s y la ganadora de J\u00f3venes Talentos 2017. Proyectaremos tambi\u00e9n <em>Hesk<\/em> con m\u00fasica en directo interpretada por Marina Herlop.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-5367\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-5367 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-5367 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-1413 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/clara-van-gool.jpg\" alt=\"clara van gool\" width=\"640\" height=\"360\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/clara-van-gool.jpg 640w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/clara-van-gool-300x169.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p style=\"text-align: left;\">Las pel\u00edculas de Clara van Gool prosperan en la frontera entre la ficci\u00f3n y una forma que normalmente se describe como \u201cdance-film\u201d (cine-danza). Las primeras pel\u00edculas\u00a0<strong>Reservaat<\/strong>(1988)\u00a0<strong>Courzand<\/strong>\u00a0(1993),\u00a0<strong>Bitings &amp; other Effects<\/strong>\u00a0(1995),\u00a0<strong>Exit<\/strong>\u00a0(1996) y\u00a0<strong>Reimerswaal<\/strong>\u00a0(2004) son historias altamente visuales que se expresan a trav\u00e9s del movimiento, la danza, la puesta en escena y el montaje.<\/p>\n<p style=\"text-align: left;\">Su trabajo incluye adaptaciones exitosas de piezas de danza\u00a0como:\u00a0<strong>Enter Achilles<\/strong>\u00a0(1996), por el renombrado grupo ingl\u00e9s DV8 Physical Theatre, galardonado con un Premio Emmy de Artes Esc\u00e9nicas (Nueva York 1997) seguido por el\u00a0premiado\u00a0<strong>Nussin<\/strong>\u00a0(1998),\u00a0<strong>Lucky\u00a0<\/strong>(2001),\u00a0<strong>Up at Down<\/strong>\u00a0(2003) y\u00a0<strong>Coup de Grace<\/strong>\u00a0(2011).<\/p>\n<p style=\"text-align: left;\">Experimenta con diferentes t\u00e9cnicas narrativas en ficci\u00f3n, documental, video instalaci\u00f3n y publicidad.\u00a0<strong>One False Move<\/strong>\u00a0(2011),\u00a0<strong>Between 2 Houses<\/strong>\u00a0(2006),\u00a0<strong>Passing Future<\/strong>\u00a0(2001);\u00a0<strong>Zikr<\/strong>\u00a0(1999), instalaci\u00f3n de video:\u00a0<strong>Little Sister<\/strong>\u00a0(2010). En\u00a0<strong>Voices of Finance<\/strong>, explor\u00f3 el uso del movimiento y el texto en una \u201cdocudanza\u201d basada en los Blogs Bancarios de Joris Luyendijk, publicado por The Guardian. Un estilo h\u00edbrido que actualmente persigue en la pel\u00edcula\u00a0<strong>The Beast in the Jungle<\/strong>, una adaptaci\u00f3n de la novela de Henry James.<\/p>\n<p style=\"text-align: left;\">La directora Clara van Gool tiene su sede en Amsterdam, Holanda.<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ffffff;\">.<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p style=\"text-align: left;\"><em>Clara van Gool\u2019s films thrive on the border between fiction and a form that is usually described as \u2018dance-film\u2019. Early films\u00a0<strong>Reservaat<\/strong>\u00a0(1988)\u00a0<strong>Courzand\u00a0<\/strong>(1993),\u00a0<strong>Bitings &amp; other Effects<\/strong>\u00a0(1995),\u00a0<strong>Exit<\/strong>\u00a0(1996) and\u00a0<strong>Reimerswaal<\/strong>\u00a0(2004) are highly visual stories that are expressed through movement, dance, mise-en-sc\u00e8ne and montage.<\/em><\/p>\n<p style=\"text-align: left;\"><em>Her work includes successful adaptations of dance performances for the screen:\u00a0<strong>Enter Achilles<\/strong>\u00a0(1996), by the renowned English group DV8 Physical Theatre won the International Emmy Award of Performing Arts (New York 1997) followed by the award winning\u00a0<strong>Nussin<\/strong>\u00a0(1998),\u00a0<strong>Lucky<\/strong>\u00a0(2001),\u00a0<strong>Up at Down<\/strong>\u00a0(2003) and\u00a0<strong>Coup de Grace<\/strong>\u00a0(2011).<\/em><\/p>\n<p style=\"text-align: left;\"><em>She experiments with different narrative techniques in fiction, documentary, video installation and commercials.\u00a0<strong>One False Move<\/strong>, (2011)\u00a0<strong>Between 2 Houses<\/strong>\u00a0(2006),\u00a0<strong>Passing Future<\/strong>\u00a0(2001);\u00a0<strong>Zikr<\/strong>\u00a0(1999), video installation:\u00a0<strong>Little Sister<\/strong>\u00a0(2010) . In\u00a0<strong>Voices of Finance<\/strong>, she explored the use of movement and text in a \u201cdocudance\u201d based on the Banking Blogs by Joris Luyendijk, published by The Guardian. A hybrid style she currently pursues in the feature\u00a0<strong>The Beast in the Jungle<\/strong>, an adaptation of the novel by Henry James.<\/em><\/p>\n<p style=\"text-align: left;\"><em>Director Clara van Gool is based in Amsterdam, The Netherlands.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/6&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-4243\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-4243 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">RESERVAAT<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-4243 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1418 aligncenter\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/reservaat-300x202.jpg\" alt=\"RESERVAAT\" width=\"300\" height=\"202\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/reservaat-300x202.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/reservaat-768x516.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/reservaat-1024x689.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/reservaat.jpg 1929w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p class=\"p1\" style=\"text-align: center;\">Pa\u00edses Bajos, 1988, 8\u00b405&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director:\u00a0<\/strong>Clara Van Gool<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda:\u00a0<\/strong>P\u00e9p\u00e9 Smit y\u00a0Martine Berghuijs<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p style=\"text-align: left;\">Un d\u00fao de dos mujeres j\u00f3venes en un parque desolado. Reservaat fue la primera pel\u00edcula de Clara van Gool realizada al dejar la Academia de Cine Holandesa en 1985.<\/p>\n<p style=\"text-align: left;\"><i>A duet by two young women in a desolate park. Reservaat was Clara van Gool\u2019s first film on leaving the Dutch Film Academy in 1985<\/i><\/p>\n<p style=\"text-align: left;\"><strong>Premios:<\/strong><br \/>\nEncouragement Award 1989, Amsterdam Arts Fund | Nomination for a Golden Calf best short film, Dutch Film Days, 1988 | Dutch submission for the Oscars 1989<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/2&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-8705\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-8705 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">VOICES OF FINANCE<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-8705 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1587\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/VOF-tussen-pilaren-300x225.jpg\" alt=\"VOF tussen pilaren\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/VOF-tussen-pilaren-300x225.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/VOF-tussen-pilaren-768x576.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/10\/VOF-tussen-pilaren-1024x768.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Pa\u00edses Bajos, 2016, 32\u00b4<\/p>\n<p style=\"text-align: left;\"><strong>Director:\u00a0<\/strong>Clara Van Gool<br \/>\n<strong>Coreograf\u00eda:\u00a0<\/strong>Jordi Cort\u00e9s Molina,\u00a0Jozef Varga, Kim Jomi Fisher, Ankur Bahl, Medhi Walerski, Nadia Yanowsky, Dane Jeremy Hurs<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p style=\"text-align: left;\">Basado en el blog bancario que Joris Luyendijk escribi\u00f3 para The Guardian sobre el coraz\u00f3n del mundo financiero: la ciudad de Londres. Los bailarines usan tanto el movimiento y danza, el texto y la voz en off, encarnan y articulan las palabras de varios personajes del sector financiero.<\/p>\n<p style=\"text-align: left;\"><em>Based on the Banking Blog Joris Luyendijk did write for The Guardian about the heart of the financial world: the City of London.\u00a0Dancers using both movement and dance, text and voice-over, embody and articulate the words of various players from the financial sector.\u00a0<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h4 class=\"ult-timeline-title ult-responsive\" style=\"text-align: center;\" data-ultimate-target=\"#timeline-featured-4181 .ult-timeline-title\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">Las pel\u00edculas de la Selecci\u00f3n Oficial \u00a0y de J\u00f3venes Talentos disponibles tambi\u00e9n en FILMIN<\/h4>\n<div class=\"ult-responsive custom-lht\" data-ultimate-target=\"#timeline-featured-4181 .custom-lht\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.filmin.es\/canal\/choreoscope\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-475 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/01\/filmin-logo-e1454250434290.png\" alt=\"filmin logo\" width=\"150\" height=\"42\" data-pin-nopin=\"true\" \/><\/a>No te las pierdas!<\/p>\n<p style=\"text-align: center;\">A partir del 11 de Noviembre puedes ver las pel\u00edculas de la Selecci\u00f3n Oficial y J\u00f3venes Talentos Choreoscope 2017 tambi\u00e9n en FILMIN.\u00a0<a href=\"https:\/\/www.filmin.es\/canal\/choreoscope\" target=\"_blank\">Descubre nuestro canal AQU\u00cd.<\/a><\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=\u00bb1\/6&#8243;][\/vc_column][vc_column width=\u00bb2\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/6&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2&#8243;][\/vc_column][vc_column width=\u00bb1\/2&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Las pel\u00edculas de la Selecci\u00f3n Oficial \u00a0y de J\u00f3venes Talentos disponibles tambi\u00e9n en FILMIN No te las pierdas! A partir del 11 de Noviembre puedes ver las pel\u00edculas de la Selecci\u00f3n Oficial y J\u00f3venes Talentos Choreoscope 2017 tambi\u00e9n en FILMIN.\u00a0Descubre nuestro canal AQU\u00cd. [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/1405"}],"collection":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/comments?post=1405"}],"version-history":[{"count":24,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/1405\/revisions"}],"predecessor-version":[{"id":2056,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/1405\/revisions\/2056"}],"wp:attachment":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/media?parent=1405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}