{"id":1456,"date":"2017-10-03T17:59:30","date_gmt":"2017-10-03T15:59:30","guid":{"rendered":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/?page_id=1456"},"modified":"2019-01-21T18:36:42","modified_gmt":"2019-01-21T17:36:42","slug":"ma","status":"publish","type":"page","link":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/ma\/","title":{"rendered":"MA"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=\u00bb1\/6&#8243;][\/vc_column][vc_column width=\u00bb2\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item feat-top \"><div class=\"feat-dot feat-top\"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow feat-top\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-5479\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-5479 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-5479 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-853 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/10\/filmoteca.png\" alt=\"filmoteca\" width=\"277\" height=\"100\" \/><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-2221\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-2221 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Sesi\u00f3n Especial: MA <\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-2221 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><strong>Sede<\/strong>: Filmoteca de Catalunya<br \/>\n<strong>Ficci\u00f3n. Estreno en Espa\u00f1a: <\/strong><span style=\"text-decoration: underline;\">S\u00e1bado\u00a011 de noviembre | 19:30h<\/span><br \/>\n<strong>Precio<\/strong>: <a href=\"http:\/\/www.filmoteca.cat\/web\/entrades-i-abonaments\/entrades\" target=\"_blank\" rel=\"noopener\">www.filmoteca.cat\/web\/entrades-i-abonaments\/entrades<\/a><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><b>Premio <\/b>Choreoscope<b> Aportaci\u00f3n Excepcional al Cine de Danza\u00a0(<\/b><strong>Outstanding Achievement in Dance Film)<\/strong><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-1328 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/08\/MA_Still_5_by_IanBloom-1024x420.jpg\" alt=\"MA_Still_5_by_IanBloom.jpg\" width=\"1024\" height=\"420\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/08\/MA_Still_5_by_IanBloom-1024x420.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/08\/MA_Still_5_by_IanBloom-300x123.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2017\/08\/MA_Still_5_by_IanBloom-768x315.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>EUA, 2015, 1h 20\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong>\u00a0Celia Rowlson-Hall<br \/>\n<strong>Coreograf\u00eda:<\/strong>\u00a0Celia Rowlson-Hall<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p style=\"text-align: left;\">Exclusivamente <strong>a trav\u00e9s del movimiento<\/strong>, <em>MA <\/em>deconstruye el papel de la Virgen Mar\u00eda en una visi\u00f3n moderna de la peregrinaci\u00f3n. En su camino hacia el Sudoeste Americano, encuentra un mundo lleno de personajes que son tan aterradores como sublimes. <em>MA <\/em>es un viaje a lo visceral y a lo surrealista, un viaje que entrelaza rituales y que representa el cuerpo como escultura. La ausencia del di\u00e1logo remueve los sentidos para llevarnos a imaginar un nuevo final para este viaje familiar. Estamos, sin duda, ante <strong>una pel\u00edcula de culto<\/strong> que llega incluso a replantear de manera exquisita la <strong>definici\u00f3n del cine de danza<\/strong>. La pel\u00edcula tuvo su estreno mundial en el Giornate Degli Autori del <strong>Festival Internacional de Cine de Venecia<\/strong>, en colaboraci\u00f3n con <strong>Tribeca Film Festival.<\/strong><\/p>\n<p style=\"text-align: left;\"><strong>CELIA ROWLSON-HALL<\/strong>, bailarina y core\u00f3grafa, cuenta con un Premio Bessie. Ha trabajado con directores como Gaspar No\u00e9 y Lena Dunham y ha escrito y dirigido m\u00e1s de cincuenta cortos y v\u00eddeos. Estas obras han obtenido varios premios, incluyendo una nominaci\u00f3n al Emmy, y han llevado a la revista Filmmaker a llamar a Rowlson-Hall una de las 25 nuevas caras de la pel\u00edcula independiente en 2015. <em>MA <\/em>es su debut como directora de largometrajes.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span style=\"color: #ffffff;\">.<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p style=\"text-align: left;\"><em>Reinvented and <strong>narrated\u00a0entirely through movement,<\/strong> the film deconstructs the figure of Mother Mary in a modern vision of pilgrimage. On her way through the arid landscape of the American Southwest, she finds a world full of characters both alternately terrifying and sublime. MA is a journey in the visceral and surreal, intertwining rituals, representation and body as sculpture. The absence of dialogue removes the senses to lead us to imagine a new end for this family trip.<\/em><\/p>\n<p style=\"text-align: left;\"><em><strong>CELIA ROWLSON-HALL<\/strong> is a dancer and choreographer with a Bessie Award for her performance. In her choreographic work for film and television she has worked with directors such as Gaspar No\u00e9 and Lena Dunham. Bringing her choreographical and performing experience to the screen, in recent years Celia has written and directed more than fifty short films and videos. These videos have garnered several awards, including an Emmy nomination: all these achievements have led Filmmaker to call Rowlson-Hall one of the 25 new faces of the independent film in 2015. Ma marks her feature film debut.<\/em><\/p>\n<p style=\"text-align: left;\"><em>Undoubtedly, this is a cult film, which even goes so far as to rethink, as an exquisite delicacy, the definition of cinema-dance. The film had its world premiere at the Giornate Degli Autori of the Venice International Film Festival, in collaboration with Tribeca Film Festival.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[vc_raw_html]JTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkYxMzgwNTQxMDMlM0ZhdXRvcGxheSUzRDElMjZsb29wJTNEMSUyNmNvbG9yJTNEZTFjNjlkJTI2dGl0bGUlM0QwJTI2YnlsaW5lJTNEMCUyNnBvcnRyYWl0JTNEMCUyMiUyMHdpZHRoJTNEJTIyODAwJTIyJTIwaGVpZ2h0JTNEJTIyNDUwJTIyJTIwZnJhbWVib3JkZXIlM0QlMjIwJTIyJTIwd2Via2l0YWxsb3dmdWxsc2NyZWVuJTIwbW96YWxsb3dmdWxsc2NyZWVuJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][\/vc_column][vc_column width=\u00bb1\/6&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=\u00bb1\/6&#8243;][\/vc_column][vc_column width=\u00bb2\/3&#8243;][vc_raw_html]JTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkYxMzgwNTQxMDMlM0ZhdXRvcGxheSUzRDElMjZsb29wJTNEMSUyNmNvbG9yJTNEZTFjNjlkJTI2dGl0bGUlM0QwJTI2YnlsaW5lJTNEMCUyNnBvcnRyYWl0JTNEMCUyMiUyMHdpZHRoJTNEJTIyODAwJTIyJTIwaGVpZ2h0JTNEJTIyNDUwJTIyJTIwZnJhbWVib3JkZXIlM0QlMjIwJTIyJTIwd2Via2l0YWxsb3dmdWxsc2NyZWVuJTIwbW96YWxsb3dmdWxsc2NyZWVuJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][\/vc_column][vc_column width=\u00bb1\/6&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/1456"}],"collection":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/comments?post=1456"}],"version-history":[{"count":8,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/1456\/revisions"}],"predecessor-version":[{"id":2053,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/1456\/revisions\/2053"}],"wp:attachment":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/media?parent=1456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}