{"id":1747,"date":"2018-08-10T11:07:54","date_gmt":"2018-08-10T09:07:54","guid":{"rendered":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/?page_id=1747"},"modified":"2018-09-25T11:13:37","modified_gmt":"2018-09-25T09:13:37","slug":"3d","status":"publish","type":"page","link":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/3d\/","title":{"rendered":"Cinedanza en 3D"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=\u00bb1\/4&#8243;][\/vc_column][vc_column width=\u00bb1\/2&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item feat-top \"><div class=\"feat-dot feat-top\"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow feat-top\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-3657\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-3657 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-3657 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-853 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/10\/filmoteca.png\" alt=\"filmoteca\" width=\"277\" height=\"100\" \/><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-2613\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-2613 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-2613 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<h5 class=\"ult-timeline-title ult-responsive\" style=\"text-align: center;\" data-ultimate-target=\"#timeline-featured-1640 .ult-timeline-title\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">PROJECCI\u00d3 \/ PROYECCI\u00d3N \/ SCREENING<\/h5>\n<p style=\"text-align: center;\"><strong>Sede<\/strong>: Filmoteca de Catalunya, Sala Chom\u00f3n<br \/>\n<b>Domingo, 14 de Octubre, 19h\u00a0<\/b><br \/>\n<strong>Precio<\/strong>:\u00a0<a href=\"http:\/\/www.filmoteca.cat\/web\/entrades-i-abonaments\/entrades\" target=\"_blank\" rel=\"noopener\">www.filmoteca.cat\/web\/entrades-i-abonaments\/entrades<\/a><\/p>\n<p style=\"text-align: center;\"><em><span style=\"font-family: 'Open Sans', Helvetica, Arial, Verdana, sans-serif;\"><span class=\"bold\"><span class=\"ox-a859b95c4c-bold\">*Las entradas para las sesiones de la Filmoteca se compran directamente en la taquilla los d\u00edas de proyecci\u00f3n.<\/span><\/span><\/span><\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-2336\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-2336 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">MUDSKIPPING <\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-2336 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1754\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/IMG_4198_22-300x242.jpg\" alt=\"mudskipping\" width=\"300\" height=\"242\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/IMG_4198_22-300x242.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/IMG_4198_22-768x620.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/IMG_4198_22-1024x826.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Australia, 2016, 12\u2019 55\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:\u00a0<\/strong>Phoebe Hart<br \/>\n<strong>Coreograf\u00eda:\u00a0<\/strong>Gabriel Comerford, Zaimon Vilmanis<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Intervenci\u00f3n cultural que pretende reposicionar el ser humano como ser inclusivo. Alrededor del 17% de los manglares de Australia han sido destruidos desde la colonizaci\u00f3n europea.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>Cultural intervention which seeks to re-position humans as inclusive of the world rather than being in some way apart or even in conflict with it. Around 17% of Australia\u2019s mangroves have been destroyed since European settlement.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-3780\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-3780 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">AFTER GHOSTCATHING<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-3780 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1753\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/ghostcatching_1-300x125.jpg\" alt=\"ghostcatching\" width=\"300\" height=\"125\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/ghostcatching_1-300x125.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/ghostcatching_1-768x320.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/ghostcatching_1-1024x427.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/ghostcatching_1.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">EUA, 2010, 9\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong>\u00a0OpenEndedGroup<br \/>\n<strong>Coreograf\u00eda:<\/strong>\u00a0Bill T. Jones<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Movimientos y vocalizaciones del core\u00f3grafo\/bailar\u00edn Bill T. Jones. Incorporeidad e identidad a trav\u00e9s de las nuevas posibilidades abiertas por la proyecci\u00f3n en 3D y un renderizador 3D personalizado creado por OpenEndedGroup. Comisionado por SITE Santa Fe, presentado en el Festival de Cine de Sundance, el Utah Art Center y el Film Society of Lincoln Center.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>Motions and vocalizations of dancer choreographer Bill T. Jones. Disembodiment and identity shown with the new possibilities opened up by 3D projection and a custom 3D renderer created in the OpenEndedGroup\u2019s Field software. Commissioned by SITE Santa Fe, presented at the Sundance Film Festival, the Utah Art Center, and the Film Society of Lincoln Center.\u00a0<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-2810\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-2810 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">FLYING STEPS<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-2810 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1752\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/093_The-Flying-Steps-300x176.jpg\" alt=\"The-Flying-Steps\" width=\"300\" height=\"176\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/093_The-Flying-Steps-300x176.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/093_The-Flying-Steps-768x450.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/093_The-Flying-Steps-1024x600.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/093_The-Flying-Steps.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Austria, 2011, 4\u2019 45\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong>\u00a0Peter Clausen<br \/>\n<strong>Coreograf\u00eda:<\/strong>\u00a0Ryan Doyle &amp; The Flying Steps<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Siete bailarines del grupo de breakdance \u201cFlying Steps\u201d \u2013tetracampe\u00f3n del mundo\u2013 y un atleta de parkour, Ryan Doyle, hacen gala de sus impresionantes power moves en 3D estereosc\u00f3pico y c\u00e1mara superlenta.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>With parcour artist Ryan Doyle, seven dancers from 4-time world champion breakdance crew \u201cFlying Steps\u201d show off remarkable power moves in stereo 3D and super-slow-motion.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-5923\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-5923 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">TARANG<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-5923 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1757\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/Tarang02-300x169.jpg\" alt=\"Tarang\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/Tarang02-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/Tarang02-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/Tarang02-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/Tarang02.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">EUA, 2013, 4\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:\u00a0<\/strong>Jonny Greenwald &amp; Guru Ratikanth Mohaparta<br \/>\n<strong>Coreograf\u00eda:\u00a0<\/strong>Aparupa Chatterjee<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Hindi para &#8216;ola&#8217;, exploraci\u00f3n del estilo de danza india cl\u00e1sica conocida como Odissi, originaria de Odisha, India. La apariencia de Tarang se inspir\u00f3 en la t\u00e9cnica \u00abJoiner\u00bb creada por el artista brit\u00e1nico David Hockney.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>Hindi for &#8216;wave&#8217;, exploration of the classical Indian dance style known as Odissi, originating in Odisha, India. The look of Tarang was inspired by the \u201cJoiner\u201d technique created by British artist David Hockney.\u00a0<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-8093\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-8093 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">ORA<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-8093 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1808\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/ORA-300x171.jpg\" alt=\"ORA\" width=\"300\" height=\"171\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/ORA-300x171.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/ORA-768x438.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/ORA.jpg 888w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Canad\u00e1, 2011, 15\u2019 39&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong>\u00a0Philippe Baylaucq<br \/>\n<strong>Coreograf\u00eda:<\/strong>\u00a0Jos\u00e9 Navas<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Una c\u00e9lula se autodivide. De esta primera masa de luz, pronto emergen seis cuerpos luminosos. Esta es la primera pel\u00edcula en utilizar im\u00e1genes t\u00e9rmicas en 3D, produciendo im\u00e1genes nunca vistas: las variaciones luminosas del calor corporal visto en la piel, los cuerpos que emiten una multitud de colores, un espacio lleno de movimiento que se transforma.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>A cell divides itself. From this first mass of light six luminous bodies soon emerge. This is the first film to use 3D thermal imaging, producing visuals like none that have ever been seen before: the luminous variations of body heat seen on skin, bodies emitting a multitude of colours, a space filled with movement that transforms itself.\u00a0<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-4799\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-4799 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">THE PROMISE<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-4799 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1759\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/the-promise-_-still-5-300x158.jpg\" alt=\"the promise\" width=\"300\" height=\"158\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/the-promise-_-still-5-300x158.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/the-promise-_-still-5-768x405.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/the-promise-_-still-5-1024x540.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">EUA, 2016, 5\u2019 24\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong>\u00a0Jason Karman<br \/>\n<strong>Coreograf\u00eda:<\/strong>\u00a0Nicolo Fonte<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Dos hombres bailan en un campo abierto, saltando de la realidad al sue\u00f1o mientras cada uno sigue su propio camino.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>Two men dance in an open field, jumping from reality to dream as each follows his own path.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-3988\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-3988 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">CODA<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-3988 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1806\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/coda-300x164.jpg\" alt=\"coda\" width=\"300\" height=\"164\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/coda-300x164.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/coda-768x420.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/coda-1024x561.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/coda.jpg 1940w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Canad\u00e1, 2014, 10\u2019 51&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director:\u00a0<\/strong>Denis Poulin, Martine \u00c9poque<br \/>\n<strong>Coreograf\u00eda:\u00a0<\/strong>Martine \u00c9poque, Fr\u00e9d\u00e9rick Gravel<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Del suelo reluciente emerge lentamente una masa de part\u00edculas en movimiento. Estas formas precarias se rompen, aparecen y desaparecen constantemente, se transforman y evolucionan hacia los ritmos de la transici\u00f3n final de la Consagraci\u00f3n de la Primavera de Stravinsky.<\/p>\n<p style=\"text-align: left;\"><em>From the glittering ground slowly emerges a mass of moving particles. These precarious shapes constantly shatter, appear and disappear, transform and evolve to the rhythms of the final transition of Stravinsky\u2019s Rite of Spring.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-9250\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-9250 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">LOST ACTION TRACE<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-9250 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1807\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/lost-action-trace-300x169.jpg\" alt=\"lost action trace\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/lost-action-trace-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/lost-action-trace-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/lost-action-trace-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/lost-action-trace.jpg 1198w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Canad\u00e1, 2011, 3\u2019 56&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong>\u00a0Marlene Millar, Crystal Pite, Philip Szporer<br \/>\n<strong>Coreograf\u00eda:<\/strong>\u00a0Crystal Pite<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Conflicto humano. Una necesaria rememoraci\u00f3n inspirada en el legado de la Primera Guerra Mundial. Pero tambi\u00e9n es un emotivo homenaje a los mentores y contempor\u00e1neos del core\u00f3grafo, cuyas vidas y cortas carreras se enfrentan a la naturaleza fugaz de la forma art\u00edstica de la danza.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>Human conflict. An urgent act of remembrance inspired by fading legacies of WWI. As much as the film is couched in a war narrative, it is also a moving homage to the choreographer\u00b4s mentors and contemporaries, whose lives and short careers are pitted against the fleeting nature of the dance art form.\u00a0<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-2686\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-2686 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">AMONGST<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-2686 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1756\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/Stormy-Still-300x169.jpg\" alt=\"Amongst\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/Stormy-Still-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/Stormy-Still-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/Stormy-Still-1024x576.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">EUA, 2015, 5\u2019 21\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong>\u00a0Chisa Hidaka, Benjamin Harley<br \/>\n<strong>Coreograf\u00eda:<\/strong>\u00a0Chisa Hidaka, Kayoko Sawamura, Yuki Kusachi y Atlantic Spotted dolphins<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Pi\u00e9rdete en el mundo radicalmente diferente de los delfines salvajes mientras sigues a bailarinas gr\u00e1ciles hacia el oc\u00e9ano profundo, rodeados de remolinos, parloteos y graznidos, a la vez familiares y desconocidos.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>Lose yourself in the radically different world of wild dolphins as you follow graceful dancers into the deep ocean, surrounded by swirling, chattering, and squawking, at once familiar and unfamiliar.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-8361\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-8361 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">LOOPS<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-8361 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1755\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/loops-300x169.jpg\" alt=\"loops\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/loops-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/loops-768x433.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/loops-1024x578.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/loops.jpg 1065w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">EUA, 2001-2011, 14\u2019 11&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director:\u00a0<\/strong>OpenEndedGroup<br \/>\n<strong>Coreograf\u00eda:\u00a0<\/strong>Merce Cunningham<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Derivado de una grabaci\u00f3n de captura de movimiento del solo de Merce Cunningham para manos y dedos. Las articulaciones capturadas se convierten en nodos en una red de relaciones fluctuantes. Adquirido en 2015 por el MoMA para su colecci\u00f3n permanente.<\/p>\n<p style=\"text-align: left;\"><em>Derived from a motion-captured recording of Merce Cunningham\u00b4s solo dance for hands and fingers. The motion-captured joints become nodes in a network that sets them into fluctuating relationships. Acquired in 2015 by MoMA for its permament collection.<\/em><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1764\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/JPEG_SIGNATURE-BLACK-TAGLINE-300x101.jpeg\" alt=\"CUNNINGHAM1\" width=\"300\" height=\"101\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/JPEG_SIGNATURE-BLACK-TAGLINE-300x101.jpeg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/JPEG_SIGNATURE-BLACK-TAGLINE-768x258.jpeg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/JPEG_SIGNATURE-BLACK-TAGLINE-1024x343.jpeg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-9960\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-9960 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">THE DEPTHS<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-9960 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1758\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/The-Dpeths-_3-300x166.jpg\" alt=\"The Dpeths\" width=\"300\" height=\"166\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/The-Dpeths-_3-300x166.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2018\/08\/The-Dpeths-_3.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">EUA, 2013, 7\u2019 15&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong>\u00a0Jordan\u00a0 Dowler-Coltman<br \/>\n<strong>Coreograf\u00eda:<\/strong>\u00a0Ashley\u00a0 Belzil, Tim\u00a0 Dowler-Coltman<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Dos mentes nacidas de una sola comprensi\u00f3n, suspendidas en el cuerpo metaf\u00f3rico del agua. Exploramos varios niveles de suspensi\u00f3n: suspensi\u00f3n entre dos estados del ser, la suspensi\u00f3n entre la vida y la muerte, y la suspensi\u00f3n de dos cuerpos f\u00edsicamente en el espacio. Y, por \u00faltimo, el lenguaje visual clave de la pel\u00edcula, el espacio 3D, suspende toda la pel\u00edcula utilizando la profundidad estereosc\u00f3pica.<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>Two\u00a0 minds\u00a0 born\u00a0 of\u00a0 one\u00a0 understanding,\u00a0 suspended\u00a0 in\u00a0 a\u00a0 metaphoric\u00a0 body\u00a0 of\u00a0 water. We\u00a0 explore\u00a0 several\u00a0 levels\u00a0 of\u00a0 suspension\u00a0 \u2013\u00a0 suspension\u00a0 between\u00a0 two\u00a0 states\u00a0 of\u00a0 being,\u00a0 suspension\u00a0 between\u00a0 life\u00a0 and\u00a0 death,\u00a0 and\u00a0 suspension\u00a0 of\u00a0 two\u00a0 bodies\u00a0 physically\u00a0 in\u00a0 space.\u00a0 And\u00a0 finally,\u00a0 the\u00a0 key\u00a0 visual\u00a0 language\u00a0 of\u00a0 the\u00a0 film,\u00a0 Stereoscopic\u00a0 3D\u00a0 space,\u00a0 suspends\u00a0 the\u00a0 entire\u00a0 film\u00a0 using\u00a0 stereo\u00a0 depth.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=\u00bb1\/4&#8243;][\/vc_column][vc_column width=\u00bb1\/2&#8243;][\/vc_column][vc_column width=\u00bb1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/1747"}],"collection":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/comments?post=1747"}],"version-history":[{"count":17,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/1747\/revisions"}],"predecessor-version":[{"id":2011,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/1747\/revisions\/2011"}],"wp:attachment":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/media?parent=1747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}