{"id":2181,"date":"2019-09-17T16:02:36","date_gmt":"2019-09-17T14:02:36","guid":{"rendered":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/?page_id=2181"},"modified":"2019-12-11T11:58:53","modified_gmt":"2019-12-11T10:58:53","slug":"seleccion-oficial-2-diosas","status":"publish","type":"page","link":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/seleccion-oficial-2-diosas\/","title":{"rendered":"Selecci\u00f3n Oficial 2: DIOSAS"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=\u00bb1\/4&#8243;][\/vc_column][vc_column width=\u00bb1\/2&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item feat-top \"><div class=\"feat-dot feat-top\"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow feat-top\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-9743\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-9743 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-9743 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-853 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/10\/filmoteca.png\" alt=\"filmoteca\" width=\"277\" height=\"100\" \/><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-4265\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-4265 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-4265 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<h2 class=\"ult-timeline-title ult-responsive\" style=\"text-align: center;\" data-ultimate-target=\"#timeline-featured-1640 .ult-timeline-title\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">DIOSAS<\/h2>\n<p style=\"text-align: center;\"><strong>Sede<\/strong>: Filmoteca de Catalunya, Sala Laya<\/p>\n<p style=\"text-align: center;\">Jueves, 17 de Octubre, 19h<\/p>\n<p style=\"text-align: center;\"><strong>Entradas<\/strong>: <a href=\"https:\/\/www.filmoteca.cat\/web\/ca\/informacio-practica\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.filmoteca.cat\/web\/ca\/informacio-practica<\/a><\/p>\n<p style=\"text-align: center;\"><em><span class=\"bold\"><span class=\"ox-a859b95c4c-bold\">*Las entradas se pueden comprar en la p\u00e1gina de La Filmoteca y directamente en la taquilla los d\u00edas de proyecci\u00f3n<\/span><\/span><\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/4&#8243;][\/vc_column][vc_column width=\u00bb1\/2&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-4545\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-4545 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-4545 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p class=\"p1\" style=\"text-align: center;\">En esta selecci\u00f3n, las protagonistas son ellas. Directoras de cine y core\u00f3grafas que han plasmado su universo en estas pel\u00edculas de danza.<\/p>\n<p class=\"p1\" style=\"text-align: center;\">Sesi\u00f3n dedicada a nuestra compa\u00f1era Esther Pedr\u00f3s.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: center;\">In this selection, women are the protagonists. Female film directors and choreographers shaping their universe in dance films.<\/p>\n<p class=\"p1\" style=\"text-align: center;\">This screening is dedicated to our dearest colleague Esther Pedr\u00f3s.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-4256\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-4256 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Traverse<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-4256 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2296 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Traverse-2-300x169.jpg\" alt=\"Traverse 2\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Traverse-2-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Traverse-2-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Traverse-2-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Traverse-2.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p class=\"p1\" style=\"text-align: center;\">Canad\u00e1, Francia, 2018, 13\u201906&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Marlene Millar<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Sandy Silva<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Cinco mujeres y cuarenta participantes locales en un tapiz de experiencia colectiva, revelando una intersecci\u00f3n de danza, movimiento y voces, una unidad de experiencia en un profundo viaje personal pero, a su vez, colectivo.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">Five women and forty local participants into a tapestry of collective experience, revealing an intersection of dance, movement and voices, a unity of experience in a profound personal yet collective journey.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-8296\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-8296 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Tremble<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-8296 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2297 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/tremble-1-300x200.jpg\" alt=\"tremble 1\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/tremble-1-300x200.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/tremble-1-768x511.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/tremble-1.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Reino Unido, 2019, 4\u2019 34\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Jessica Wright, Morgann Runacre-Temple<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Jessica Wright, Morgann Runacre-Temple<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Un comedor abstracto. 26 bailarines del Scottish Ballet. Y mucha gelatina \u2026<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">An abstract dining room. 26 Scottish Ballet dancers. And a lot of jelly\u2026<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-5192\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-5192 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">The Stop<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-5192 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2298 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-__Moment10-300x169.jpg\" alt=\"the stop\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-__Moment10-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-__Moment10-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-__Moment10-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-__Moment10.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Rusia, 2019, 4\u2019 57\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Komrakova Liudmila<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Maria Marinova-Vasilieva, Anton Popichenko<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Una chica se pelea con un hombre en un coche y lo abandona. En la parada del autob\u00fas, conoce a un joven y se enamoran de inmediato. El hombre <span class=\"s1\">del<\/span> coche vuelve y los encuentra juntos.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">A girl has a fight with a man in a car and leaves him. At the bus stop, she meets a young man and they immediately fall in love. The man in the car returns and finds them together.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-9991\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-9991 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Monk<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-9991 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2300 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Screen_Shot_2019-01-29_at_11.45.17_PM_copy-300x169.jpg\" alt=\"monk\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Screen_Shot_2019-01-29_at_11.45.17_PM_copy-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Screen_Shot_2019-01-29_at_11.45.17_PM_copy-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Screen_Shot_2019-01-29_at_11.45.17_PM_copy-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Screen_Shot_2019-01-29_at_11.45.17_PM_copy.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p class=\"p1\" style=\"text-align: center;\">China, 2019, 17\u201944&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Aly Rose<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Aly Rose<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Un hijo es llevado a un monasterio por sus padres y dejado all\u00ed. En su lucha para convertirse en monje y en su viaje hacia el interior encuentra protecci\u00f3n y consuelo en tres mujeres inmortales.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">A son is brought to a monastery by his parents and left there. He struggles to become a monk and on his journey inward finds protection and solace in three female immortals.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-9492\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-9492 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Mechanical Dance<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-9492 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2301 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-Danse-mecanique-visuel-02-300x162.jpg\" alt=\"danse\" width=\"300\" height=\"162\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-Danse-mecanique-visuel-02-300x162.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-Danse-mecanique-visuel-02-768x415.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-Danse-mecanique-visuel-02-1024x554.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-2-Danse-mecanique-visuel-02.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Francia, 2018, 2\u2019 20\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>La\u00ebtitia Loison<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Manon Rathuy<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Una peque\u00f1a bailarina hecha de porcelana descubre que es capaz de moverse, pero el mecanismo al que est\u00e1 sujeta la obliga a quedarse quieta. Comienza su lucha contra la caja de m\u00fasica para liberarse.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">A small ballerina made of porcelain discovers that she is able to move, but the mechanism she is attached to compels her to stay still. Her fight against the musicbox to break free begins.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-9996\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-9996 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Washed<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-9996 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2302 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-3-picture_from_the_movie3-300x169.jpg\" alt=\"washed\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-3-picture_from_the_movie3-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-3-picture_from_the_movie3-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-3-picture_from_the_movie3-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-3-picture_from_the_movie3.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Israel, 2012, 13\u2019 18\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Daphna Mero<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Daphna Mero<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Una trabajadora de una lavander\u00eda intenta desesperadamente abortar el fruto de un encuentro violento. Cuando se revelan las consecuencias de su acci\u00f3n, los recuerdos que ha reprimido reaparecen.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">A female laundry worker desperately attempts to abort the fruit of a violent encounter. When the consequences of her action are reveled, the memories she has repressed re-emerge.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-4333\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-4333 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Competing for sunlight: Oak<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-4333 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2304 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-4-Oak_Knut_Still-300x161.jpg\" alt=\"oak\" width=\"300\" height=\"161\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-4-Oak_Knut_Still-300x161.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-4-Oak_Knut_Still.jpg 630w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p class=\"p1\" style=\"text-align: center;\">Austria, 2017, 6\u201906&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Dagmar Dachauer<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Dagmar Dachauer<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">\u00abOak (Roble)\u00bb es una aproximaci\u00f3n contempor\u00e1nea de la antigua <span class=\"s1\">creencia<\/span> humana sobre el roble como puerta de entrada a otras realidades.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">\u201eOak\u201c is a contemporary take on the ancient human understanding of the Oak tree as a gateway into other realities.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-5576\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-5576 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Danse Macabre<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-5576 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2305 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Danse_Macabre_1-300x169.jpg\" alt=\"danse\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Danse_Macabre_1-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Danse_Macabre_1-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Danse_Macabre_1-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-1-Danse_Macabre_1.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Hungr\u00eda, 2018, 6\u2019 26\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Zs\u00f3fia Cs\u00e1nki<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Zs\u00f3fia Cs\u00e1nki<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Una habitaci\u00f3n abandonada. Una persona enferma, <span class=\"s1\">postrada<\/span> en una silla de ruedas. Las tres <span class=\"s1\">fases del<\/span> fallecimiento: indefensi\u00f3n, batalla y aceptaci\u00f3n. Un baile macabro con la muerte.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">An abandoned room. A sick person, forced into a wheelchair. The three stations of passing away: defenselessness, battle, and acceptance. A macabre dance with death.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-4032\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-4032 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Harvest<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-4032 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2308 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Harvest-still-3-web-300x181.jpg\" alt=\"harvest\" width=\"300\" height=\"181\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Harvest-still-3-web-300x181.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Harvest-still-3-web-768x463.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Harvest-still-3-web-1024x617.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Harvest-still-3-web.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Pa\u00edses Bajos, 2012, 10\u2019 04\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Chaja Hertog, Nir Nadler<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Aitana Cordero Vico<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Un evento extra\u00f1o en un olivar: uno de los \u00e1rboles comienza una revuelta. A medida que se extiende la protesta espont\u00e1nea, un escuadr\u00f3n de la polic\u00eda recorre el paisaje en un intento de sofocar los disturbios.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">An odd event in an olive grove: one of the trees starts a revolt. As the spontaneous protest spreads, a police squad rallies through the landscape in an attempt to quell the unrest.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-1623\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-1623 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">SOHAM - The Swan<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-1623 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2306 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-8-SOHAMTheSwan_ShivaGRN_DivyaDevaguptapu_Stills_2-300x169.jpg\" alt=\"soham\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-8-SOHAMTheSwan_ShivaGRN_DivyaDevaguptapu_Stills_2-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-8-SOHAMTheSwan_ShivaGRN_DivyaDevaguptapu_Stills_2-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-8-SOHAMTheSwan_ShivaGRN_DivyaDevaguptapu_Stills_2-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Photo-8-SOHAMTheSwan_ShivaGRN_DivyaDevaguptapu_Stills_2.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">India, 2019, 6\u2019 26\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Usha Rajeswari<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Divya Devaguptapu<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">En Occidente, el baile del cisne se usa a menudo para referirse a un acto o actuaci\u00f3n final, en relaci\u00f3n a la hermosa canci\u00f3n que se cree que el cisne canta justo antes de su muerte. En contraste, el Este percibe al Cisne (Hamsa en s\u00e1nscrito) como un s\u00edmbolo de la conciencia suprema, de la vida y la libertad. Ejecutado <span class=\"s1\">con<\/span> el lenguaje de movimiento de Bharatanatyam (danza cl\u00e1sica india) y un paisaje sonoro de m\u00fasica carn\u00e1tica (m\u00fasica cl\u00e1sica india).<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">In the West, Swan Song is an idiom often used to denote a final act or performance, in reference to the beautiful song the swan is believed to sing right before death. In contrast, the East perceives the Swan (Hamsa in Sanskrit) as a symbol of supreme consciousness \u2013 of life and freedom!\u00a0Performed in the movement language of Bharatanatyam (Indian Classical Dance) and a soundscape of Carnatic Music (Indian Classical Music).<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-8387\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-8387 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Princesa por Apocalipsis<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-8387 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2309 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Frame_FINAL_PPA_01-300x169.png\" alt=\"princess\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Frame_FINAL_PPA_01-300x169.png 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Frame_FINAL_PPA_01-768x432.png 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/Frame_FINAL_PPA_01-1024x576.png 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p class=\"p1\" style=\"text-align: center;\">Espa\u00f1a, 2019, 4\u201930&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director: <\/strong>Raquel Juan Maestre<\/p>\n<p style=\"text-align: left;\"><strong>Coreograf\u00eda: <\/strong>Raquel Juan Maestre<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:\u00a0<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\">Despu\u00e9s de un apocalipsis, los \u00fanicos sobrevivientes son Dallas y Par\u00eds, dos ni\u00f1as de seis a\u00f1os que se preparan para asistir a un baile en el gran sal\u00f3n del parque de diversiones de Daiselamb.<\/p>\n<hr \/>\n<p class=\"p1\" style=\"text-align: left;\">After an apocalypse, the sole survivors are Dallas and Paris, two six year old kids who prepare to attend to a dance at Daiselanb Princess Party-Hard great hall, in Daiselamb&#8217;s amusement park.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69e06cb4ab15f\" data-id=\"69e06cb4ab15f\" data-height=\"10\" data-height-mobile=\"10\" data-height-tab=\"10\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<h4 class=\"ult-timeline-title ult-responsive\" style=\"text-align: center;\" data-ultimate-target=\"#timeline-featured-4181 .ult-timeline-title\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">Las pel\u00edculas de la Selecci\u00f3n Oficial disponibles tambi\u00e9n en FILMIN<\/h4>\n<div class=\"ult-responsive custom-lht\" data-ultimate-target=\"#timeline-featured-4181 .custom-lht\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.filmin.es\/canal\/choreoscope\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-475 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/01\/filmin-logo-e1454250434290.png\" alt=\"filmin logo\" width=\"150\" height=\"42\" data-pin-nopin=\"true\" \/><\/a>No te las pierdas!<\/p>\n<p style=\"text-align: center;\">A partir del 22 de Octubre puedes ver las pel\u00edculas de la Selecci\u00f3n Oficial Choreoscope 2019 tambi\u00e9n en FILMIN. Descubre muy pronto nuestro canal AQU\u00cd.<\/p>\n<\/div>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69e06cb4ab17c\" data-id=\"69e06cb4ab17c\" data-height=\"10\" data-height-mobile=\"10\" data-height-tab=\"10\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69e06cb4ab194\" data-id=\"69e06cb4ab194\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"dt-fancy-separator h3-size accent-title-color\" style=\"width: 100%;\"><div class=\"dt-fancy-title\"><span class=\"separator-holder separator-left\" style=\"border-color: #e96c4c;\"><\/span>JURADO<span class=\"separator-holder separator-right\" style=\"border-color: #e96c4c;\"><\/span><\/div><\/div><div class=\"ult-spacer spacer-69e06cb4ab1e9\" data-id=\"69e06cb4ab1e9\" data-height=\"10\" data-height-mobile=\"10\" data-height-tab=\"10\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/4&#8243;][vc_column_text]<\/p>\n<div style=\"text-align: left;\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2270 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/IMG_1149-300x200.jpg\" alt=\"jordi\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/IMG_1149-300x200.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/IMG_1149-768x512.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/IMG_1149-1024x683.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>JORDI SORA i Domenj\u00f3<\/strong><\/p>\n<\/div>\n<div style=\"text-align: left;\">\n<p>Colabora actualmente con la revista de danza Susy-Q; el portal de Cr\u00edticos de Catalu\u00f1a Recomana.cat y la Revista de la web Teatro Barcelona. Tambi\u00e9n puntualmente con el programa de radio Tast Cultural y anteriormente con N\u00favol, la Revista Godot Barcelona, \u200b\u200bla Revista Proscenium y el blog del programa de la red de TV locales Tend\u00e8ncies.<br \/>\nComparte la coordinaci\u00f3n del Jurado de los Premios de la Cr\u00edtica de Danza de Catalu\u00f1a, adem\u00e1s de haber participado en el Jurado de Danza de la Ciudad de Barcelona.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4&#8243;][vc_column_text]<\/p>\n<p class=\"ox-aa9fe42a4c-MsoNormal\" style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2271 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/virginia_2019-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/virginia_2019-211x300.jpg 211w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/virginia_2019-768x1092.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/virginia_2019-720x1024.jpg 720w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/virginia_2019.jpg 1181w\" sizes=\"(max-width: 211px) 100vw, 211px\" \/><\/p>\n<p class=\"ox-aa9fe42a4c-MsoNormal\" style=\"text-align: center;\"><strong>VIRGINIA GARC\u00cdA<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><a href=\"http:\/\/www.laintrusadanza.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">LA INTRUSA<\/a> es una compa\u00f1\u00eda de creaci\u00f3n art\u00edstica contempor\u00e1nea dirig\u00edda por Virginia Garc\u00eda y Dami\u00e1n Mu\u00f1oz. Celebraron sus veinte a\u00f1os en escena con el reconocimiento del Premio Nacional de Danza 2015, por su creaci\u00f3n art\u00edstica. Su trabajo se ha caracterizado, desde sus inicios, por la capacidad de generar espect\u00e1culos po\u00e9ticos, de fuerte impacto visual y emocional, siempre con la voluntad de empatizar con el p\u00fablico en un tono intimista. El punto de partida de la Intrusa siempre ha sido un trabajo de reflexiones, de compartir su latido vital transfiri\u00e9ndolo a la escena en met\u00e1foras de movimiento, im\u00e1genes, sonidos y palabras. Crean, dirigen y producen proyectos esc\u00e9nicos y audiovisuales por los que han recibido diferentes premios.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4&#8243;][vc_column_text]<\/p>\n<div style=\"text-align: left;\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2274 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/bio-photo-300x171.jpg\" alt=\"marites\" width=\"300\" height=\"171\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/bio-photo-300x171.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/bio-photo-768x438.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/bio-photo-1024x584.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/bio-photo.jpg 1402w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p style=\"text-align: center;\"><strong>MARITES CARINO<\/strong><\/p>\n<p>Con experiencia en danza y periodismo televisivo, Marites combina su pasi\u00f3n por el baile y el cine a trav\u00e9s de sus inventivos cortos. Editora de danza del Montreal Mirror durante m\u00e1s de una d\u00e9cada, sus galardonadas pel\u00edculas se han proyectado en festivales y eventos en todo el mundo. HANDSHACK, su instalaci\u00f3n interactiva se mostrar\u00e1 en Nuit Blanche de Toronto este oto\u00f1o. Le gusta contar las historias de las personas, y en particular de quienes usan el arte para superar obst\u00e1culos. En su tiempo libre, le gusta bailar lentamente con m\u00fasica r\u00e1pida, andar en bicicleta y escribir sobre s\u00ed misma en tercera persona.<\/p>\n<p><a href=\"https:\/\/www.maritescarino.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.maritescarino.com\/<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4&#8243;][vc_column_text]<\/p>\n<div style=\"text-align: left;\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2272 size-medium\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/damian_2019-232x300.jpg\" alt=\"DAMIAN\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/damian_2019-232x300.jpg 232w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/damian_2019-768x994.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/damian_2019-791x1024.jpg 791w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2019\/09\/damian_2019.jpg 1181w\" sizes=\"(max-width: 232px) 100vw, 232px\" \/><\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p style=\"text-align: center;\"><strong>DAMI\u00c1N MU\u00d1OZ<\/strong><\/p>\n<p class=\"p1\"><a href=\"http:\/\/www.laintrusadanza.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">LA INTRUSA<\/a> es una compa\u00f1\u00eda de creaci\u00f3n art\u00edstica contempor\u00e1nea dirig\u00edda por Virginia Garc\u00eda y Dami\u00e1n Mu\u00f1oz. Celebraron sus veinte a\u00f1os en escena con el reconocimiento del Premio Nacional de Danza 2015, por su creaci\u00f3n art\u00edstica. Su trabajo se ha caracterizado, desde sus inicios, por la capacidad de generar espect\u00e1culos po\u00e9ticos, de fuerte impacto visual y emocional, siempre con la voluntad de empatizar con el p\u00fablico en un tono intimista. El punto de partida de la Intrusa siempre ha sido un trabajo de reflexiones, de compartir su latido vital transfiri\u00e9ndolo a la escena en met\u00e1foras de movimiento, im\u00e1genes, sonidos y palabras. Crean, dirigen y producen proyectos esc\u00e9nicos y audiovisuales por los que han recibido diferentes premios.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=\u00bb1\/4&#8243;][\/vc_column][vc_column width=\u00bb1\/2&#8243;][\/vc_column][vc_column width=\u00bb1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/4&#8243;][\/vc_column][vc_column width=\u00bb1\/2&#8243;][\/vc_column][vc_column width=\u00bb1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][vc_column width=\u00bb1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Las pel\u00edculas de la Selecci\u00f3n Oficial disponibles tambi\u00e9n en FILMIN No te las pierdas! A partir del 22 de Octubre puedes ver las pel\u00edculas de la Selecci\u00f3n Oficial Choreoscope 2019 tambi\u00e9n en FILMIN. Descubre muy pronto&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/2181"}],"collection":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/comments?post=2181"}],"version-history":[{"count":15,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/2181\/revisions"}],"predecessor-version":[{"id":2421,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/2181\/revisions\/2421"}],"wp:attachment":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/media?parent=2181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}