{"id":667,"date":"2016-09-12T08:10:56","date_gmt":"2016-09-12T06:10:56","guid":{"rendered":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/?page_id=667"},"modified":"2016-11-03T00:54:53","modified_gmt":"2016-11-02T23:54:53","slug":"seleccion-oficial-2016","status":"publish","type":"page","link":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/seleccion-oficial-2016\/","title":{"rendered":"Selecci\u00f3n Oficial 2016"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column]<div class=\"smile-icon-timeline-wrap csstime   \"     style=\"\"><div class=\"timeline-line \" style=\"border-right-color:;\"><span><\/span><\/div><div class=\"timeline-wrapper\"><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-9235\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-9235 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Descubre toda la programaci\u00f3n de Choreoscope 2016<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-9235 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\">Tres espacios. En vivo y v\u00eda streaming.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/programa-2016\/\" target=\"_blank\">Toda la programaci\u00f3n de nuestro festival\u00a0disponible\u00a0AQU\u00cd.<\/a><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div>\n\t\t\t\t<div id=\"timeline-seperator-8041\" class=\"timeline-separator-text \" data-sep-col=\"\" data-sep-bg-col=\"\"><span class=\"sep-text ult-responsive\"  data-ultimate-target='#timeline-seperator-8041 .sep-text'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"border-width:1px;border-radius:5px;\">Selecci\u00f3n Oficial - Choreoscope 2016 - Official Selection<\/span><\/div><div class=\"timeline-wrapper \"><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-2199\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-2199 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">NOVACI\u00c9RIES - LA HORDE<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-2199 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-682 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/NOVACIERIES-visuel-14-\u00a9-LAHORDE-2015-copie-1024x436.jpg\" alt=\"novacieries\" width=\"1024\" height=\"436\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/NOVACIERIES-visuel-14-\u00a9-LAHORDE-2015-copie-1024x436.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/NOVACIERIES-visuel-14-\u00a9-LAHORDE-2015-copie-300x128.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/NOVACIERIES-visuel-14-\u00a9-LAHORDE-2015-copie-768x327.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/NOVACIERIES-visuel-14-\u00a9-LAHORDE-2015-copie.jpg 1744w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>(Con la colaboraci\u00f3n especial de MECAL &#8211; Festival Internacional de Cortometrajes y Animaci\u00f3n de Barcelona)<\/p>\n<p style=\"text-align: left;\">Francia, 2015, 16\u00b443&#8243;<br \/>\n<strong>Director:<\/strong> (La)Horde &#8211; Marine Brutti, Jonathan Debrouwer, Arthur Harel, C\u00e9line Signoret<br \/>\n<strong>Coreograf\u00eda:<\/strong> (La)Horde<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">\u201cNovaci\u00e9res es una combinaci\u00f3n de cine, <em>performance<\/em> y v\u00eddeo casero que trasciende del cine de danza para presentar un retrato metaf\u00edsico y coreografiado del mundo post-industrial reinterpretando la danza post-internet.\u201d<\/p>\n<p style=\"text-align: left;\"><em>\u00abNovaci\u00e9ries is a combination of cinema, performance, and home video that transcends dance films and presents a choreographed and metaphysical portrait of the post-industrial world by reinterpreting post-internet dance.\u00bb<\/em><\/p>\n<p>&nbsp;<\/p>\n<h1><\/h1>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-6537\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-6537 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">COLD STORAGE<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-6537 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-687 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Cold_Storage_A207_C003_4480x1920-1-1024x439.jpg\" alt=\"cold_storage\" width=\"1024\" height=\"439\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Cold_Storage_A207_C003_4480x1920-1-1024x439.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Cold_Storage_A207_C003_4480x1920-1-300x129.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Cold_Storage_A207_C003_4480x1920-1-768x329.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>(Con la colaboraci\u00f3n especial de Loikka Dance Film Festival)<\/p>\n<p>Finlandia, 2016, 8\u00b445&#8243;<br \/>\n<strong>Director:<\/strong> Thomas Freundlich<br \/>\n<strong>Coreograf\u00eda:<\/strong> Valtteri Raekallio<\/p>\n<p><strong>Sinopsis:<\/strong><\/p>\n<p>Cuando un solitario pescador de hielo descubre a su alma gemela en el hielo, m\u00faltiples niveles de tiempo y realidad se mezclan en la exploraci\u00f3n de la alienaci\u00f3n, la dependencia y la amistad.<\/p>\n<p><em>When a lonely ice fisherman discovers his frozen prehistoric soulmate in the ice, multiple levels of time and reality blend together into a cinematic and kinetic exploration of alienation, dependency and friendship.<\/em><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-9043\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-9043 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">DISCO<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-9043 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-688 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/disco_still10-1024x576.jpg\" alt=\"disco_still\" width=\"1024\" height=\"576\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/disco_still10-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/disco_still10-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/disco_still10-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/disco_still10.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: left;\">Alemania, 2016, 2\u00b409&#8243;<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Boris Seewald<br \/>\n<strong>Bailarines:<\/strong> Simone Schmidt, Althea Corlett<strong><br \/>\nSinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Creado a partir de 1200 fotogramas pintados a mano, <em>Disco<\/em> usa la t\u00e9cnica del rotoscoping para convertir los movimientos reales de los bailarines en una serie de dibujos.<\/p>\n<p style=\"text-align: left;\"><em>Created from over 1,200 individually hand-painted frames, this clip uses an animation technique called rotoscoping to turn the real-life movements of the dancers into a series of drawings and paintings to make each scene.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-6613\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-6613 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Las pel\u00edculas de la Selecci\u00f3n Oficial disponibles en FILMIN<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-6613 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><a href=\"https:\/\/www.filmin.es\/canal\/choreoscope\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-475 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/01\/filmin-logo-e1454250434290.png\" alt=\"filmin logo\" width=\"150\" height=\"42\" \/><\/a><\/p>\n<p style=\"text-align: center;\">No te las pierdas!<\/p>\n<p style=\"text-align: center;\">A partir del 11 de Noviembre puedes ver las pel\u00edculas de la Selecci\u00f3n Oficial Choreoscope 2016 tambi\u00e9n en FILMIN. <a href=\"https:\/\/www.filmin.es\/canal\/choreoscope\" target=\"_blank\">Descubre nuestro canal AQU\u00cd.<\/a><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-6099\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-6099 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">ALL AWAY<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-6099 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-690 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/all-away-1024x454.jpg\" alt=\"all-away\" width=\"1024\" height=\"454\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/all-away-1024x454.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/all-away-300x133.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/all-away-768x341.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/all-away.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Francia, 2015, 4\u00b412&#8243;<br \/>\n<strong>Director:<\/strong> Colin Solal Cardo<br \/>\n<strong>Danza, Coreograf\u00eda:<\/strong> Abdoulaye Barry, Marina Dessi<\/p>\n<p><strong>Sinopsis:<\/strong><\/p>\n<p>Nunca es demasiado tarde para decir adi\u00f3s\u2026 Asesino y v\u00edctima bailan por \u00faltima vez en esta performance grabada en una sola toma con un hexoc\u00f3ptero coreografiado.<\/p>\n<p><em>It\u2019s never too late to say goodbye\u2026 Killer and victim get one last dance in this powerful one-take performance, entirely shot with a choreographed hexacopter.<\/em><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-2518\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-2518 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">IR\u00d8N MODVM<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-2518 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-691 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/1.jpg\" alt=\"IRON MODUM\" width=\"750\" height=\"313\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/1.jpg 750w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/1-300x125.jpg 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/>Espa\u00f1a, 2015, 3\u201946\u2019\u2019<br \/>\n<strong>Director:<\/strong> Derek Pedr\u00f3s<br \/>\n<strong>Coreograf\u00eda:<\/strong> Iron Skulls Co<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Iron Skulls Co, es un grupo de personas con diferentes gustos y trayectorias que encontraron un camino que se alimenta de sus diferencias y que se fortalece con sus experiencias individuales.<\/p>\n<p style=\"text-align: left;\"><em>Iron Skulls Co, is a group of people with different preferences and trajectories\u00a0finding a common path. A union that is\u00a0strengthened by\u00a0their differences, and their personal\u00a0experiences.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-2021\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-2021 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">BECOME ONE<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-2021 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-693 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/become-one.jpg\" alt=\"become-one\" width=\"736\" height=\"414\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/become-one.jpg 736w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/become-one-300x169.jpg 300w\" sizes=\"(max-width: 736px) 100vw, 736px\" \/>Israel, 2014, 1\u201959\u2019\u2019<\/p>\n<p><strong>Director:<\/strong> Guy Sadot, Matan Tamarkin<br \/>\n<strong>Coreograf\u00eda:<\/strong> Jhonathan Soutchy<\/p>\n<p><strong>Sinopsis:<\/strong><\/p>\n<p>Inspirado en <em>Nuance<\/em> de Marc-Antoine Locatelli, esta pel\u00edcula introduce un tercer bailar\u00edn: las figuras geom\u00e9tricas digitales que nacen de la forma de los bailarines y que rebotan sus movimientos para formar\u00a0uno.<\/p>\n<p><em>Inspired by Marc-Antoine Locatelli&#8217;s Nuance, this film introduces a third dancer: digital geometric forms that grow out of the human dancers&#8217; shapes and bounce off their movements in order to become one.<\/em><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-1439\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-1439 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">T\u00c1CTICA Y ESTRATEGIA<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-1439 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-694 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/tye1-1024x576.jpg\" alt=\"tye1\" width=\"1024\" height=\"576\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/tye1-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/tye1-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/tye1-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/tye1.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Espa\u00f1a, 2015, 1\u201901\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Pol Turrents, Helena Jurado<br \/>\n<strong>Coreograf\u00eda:<\/strong> Virginia Garcia<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Adaptaci\u00f3n cinematogr\u00e1fica del poema \u00abT\u00e1ctica y estrategia\u00bb de Mario Benedetti.<\/p>\n<p style=\"text-align: left;\"><em>Film adaptation of the poem \u00abTactics and Strategy\u00bb by Mario Benedetti.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-4989\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-4989 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">CECI N'EST PAS MAGRITTE<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-4989 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-695 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Magritte_4-1024x576.png\" alt=\"magritte_4\" width=\"1024\" height=\"576\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Magritte_4-1024x576.png 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Magritte_4-300x169.png 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Magritte_4-768x432.png 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Magritte_4.png 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Rusia, 2016, 5\u201954\u2019\u2019<\/p>\n<p><strong>Director:<\/strong> Ivan Skorik<br \/>\n<strong>Coreograf\u00eda:<\/strong> Nikita Kurilow Actor, Olesya Astapova<\/p>\n<p><strong>Sinopsis:<\/strong><\/p>\n<p>Una historia inspirada en las pinturas de Ren\u00e9 Magritte.<\/p>\n<p><em>A story inspired by the paintings of Ren\u00e9 Magritte.<\/em><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-2047\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-2047 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">REBORN<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-2047 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-697 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Screen-Shot-2015-09-29-at-14.07.45-1024x572.jpg\" alt=\"REBORN\" width=\"1024\" height=\"572\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Screen-Shot-2015-09-29-at-14.07.45-1024x572.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Screen-Shot-2015-09-29-at-14.07.45-300x168.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Screen-Shot-2015-09-29-at-14.07.45-768x429.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>RU, 2015, 4\u201935\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Andrew Margetson<br \/>\n<strong>Coreograf\u00eda:<\/strong> Alastair Marriott<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Retrato de la vuelta de una estrella de la danza tras estar lesionada. Lauren Cuthbertson, bailarina principal del Royal Ballet, revela la brutal realidad de ser una bailarina de \u00e9lite.<\/p>\n<p style=\"text-align: left;\"><em>Reborn is a portrait of a star dancer coming back from injury. Lauren Cuthbertson, principal dancer at the Royal Ballet, reveals the brutal reality of being a top ballerina.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-8290\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-8290 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">THE MISSING PART<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-8290 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-699 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/TheMissingPart3-1018x1024.jpg\" alt=\"themissingpart3\" width=\"1018\" height=\"1024\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/TheMissingPart3-1018x1024.jpg 1018w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/TheMissingPart3-150x150.jpg 150w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/TheMissingPart3-298x300.jpg 298w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/TheMissingPart3-768x773.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/TheMissingPart3.jpg 1789w\" sizes=\"(max-width: 1018px) 100vw, 1018px\" \/>Espa\u00f1a, 2016, 21\u201940\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Salvador Sunyer,\u00a0Bar\u00f3 d\u2019Evel<br \/>\n<strong>Coreograf\u00eda:<\/strong> Bar\u00f3 d\u2019Evel<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Una pieza cinematogr\u00e1fica sobre la familia humana en convivencia con los animales.<\/p>\n<p style=\"text-align: left;\"><em>A film piece on the human family and its coexistence with animals.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-4559\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-4559 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Y ROZAR CONTIGO<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-4559 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-700 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/PIC3-1024x576.jpg\" alt=\"ROZAR\" width=\"1024\" height=\"576\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/PIC3-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/PIC3-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/PIC3-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/PIC3.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Espa\u00f1a, 2015, 5\u201902\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Alberto Evangelio<br \/>\n<strong>Coreograf\u00eda:<\/strong> Hugo Rosales<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Un pintor que ha perdido la inspiraci\u00f3n se reencuentra con ella a trav\u00e9s de una coreograf\u00eda metaf\u00f3rica. Su musa bailar\u00e1 con \u00e9l gui\u00e1ndole hacia la primera pincelada de su nueva vida.<\/p>\n<p style=\"text-align: left;\"><em>A painter who had lost his inspiration meets again with it across a metaphorical choreography. His muse will dance with him, guiding him up to the first brushstroke of his new life.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-2266\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-2266 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">PERSONAL PRONOUNS<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-2266 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-703 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/PERSONAL-1024x683.jpg\" alt=\"personal\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/PERSONAL-1024x683.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/PERSONAL-300x200.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/PERSONAL-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Eslovaquia, 2016, 15\u201926\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director \/ Coreograf\u00eda:<\/strong> Jan Sevcik<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Basado en dos composiciones que representan los dos polos del amor. Mientras en la primera se muestra una relaci\u00f3n t\u00f3xica en la que tiene lugar la violencia de g\u00e9nero, la segunda describe un amor fresco y en harmon\u00eda.<\/p>\n<p style=\"text-align: left;\"><em>\u201cPersonal pronouns\u201d is based on two dance compositions that represent two antipoles of love. While the first one is about sick relationship where domestic violence takes place, the second one describes fresh love in harmony.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-6938\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-6938 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">MOSES<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-6938 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-704 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/MOSES.jpg\" alt=\"moses\" width=\"640\" height=\"360\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/MOSES.jpg 640w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/MOSES-300x169.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/>Jap\u00f3n, 2013, 2\u201935\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> \u304c\u304c\u3081 (Gagame)<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Una ni\u00f1a fantasma sin piernas encuentra un par de zapatos de claqu\u00e9 bailando \u201cMoses supposes\u201d de la pel\u00edcula\u00a0<em>Bailando bajo la lluvia.<\/em>\u00a0Se une a ellos acompa\u00f1ando con su cuerpo el divertido juego de pies.<\/p>\n<p style=\"text-align: left;\"><em>When a ghost girl with no legs spots a pair of disembodied tap shoes dancing to \u00abMoses Supposes\u00bb from Singin&#8217; in the Rain, she joins in, gleefully providing a body to accompany their fancy footwork.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-4621\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-4621 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">SON DU SERPENT<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-4621 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-657 size-full\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Son_du_Serpent_05.jpg\" alt=\"son_du_serpent_05\" width=\"992\" height=\"378\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Son_du_Serpent_05.jpg 992w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Son_du_Serpent_05-300x114.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Son_du_Serpent_05-768x293.jpg 768w\" sizes=\"(max-width: 992px) 100vw, 992px\" \/>Pa\u00edses Bajos, 2015, 11\u201942\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Tami Ravid<br \/>\n<strong>Coreograf\u00eda:<\/strong> Feri de Geus<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Un hombre africano busca a su mujer desaparecida. Su rastreo, que tiene lugar parcialmente en una realidad supernatural, se despliega como una <em>road movie.<\/em><\/p>\n<p style=\"text-align: left;\"><em>An African man feverishly looks for his wife who has vanished without a trace. His ramble, partly taking place in a supernatural reality, unfolds like a road movie.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-2984\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-2984 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">MUNICH - Calzado oficial de Choreoscope y de las personas en movimiento<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-2984 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-713\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/logo-300x213.jpg\" alt=\"munich\" width=\"150\" height=\"106\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/logo-300x213.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/logo.jpg 491w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-5466\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-5466 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">CRACK THE CYPHER<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-5466 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-874 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/10\/Crack_the_Cypher-515-1024x684.jpg\" alt=\"crack cypher\" width=\"1024\" height=\"684\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/10\/Crack_the_Cypher-515-1024x684.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/10\/Crack_the_Cypher-515-300x200.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/10\/Crack_the_Cypher-515-768x513.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Canad\u00e1, 2016, 7\u201933\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Marites Carino<br \/>\n<strong>Coreograf\u00eda:<\/strong> Emmanuelle L\u00ea Phan, Elon H\u00f6glund<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Este cortometraje explora el poder de la imaginaci\u00f3n. La curiosidad de un b-boy lo aleja de las calles y lo acerca una aventura cin\u00e9tica.<\/p>\n<p style=\"text-align: left;\"><em>This short film explores the power of imagination. One b-boy\u2019s curiosity lures him away from an urban meander towards a kinetic adventure.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-1495\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-1495 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">OSSA<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-1495 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-706 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/OSSA_4-1024x683.jpg\" alt=\"ossa_4\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/OSSA_4-1024x683.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/OSSA_4-300x200.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/OSSA_4-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Italia, 2016, 3\u201955\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Dario Imbrogno<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">El mundo es un escenario. En este teatro, una bailarina toma consciencia de s\u00ed misma. Su danza, desestructurado en tiempo y espacio, nos muestra los mecanismos que mueven los hilos.<\/p>\n<p style=\"text-align: left;\"><em>All the world is a stage. In this theater a dancer becomes aware of herself. Her dance, destructured in time and space, shows us the mecanisms that pulls the strings.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-6647\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-6647 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">BEHIND THE WALL<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-6647 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-707\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/BehindtheWall_03_300dpi_1700k.jpg\" alt=\"BEHIND\" width=\"1024\" height=\"576\" \/>EUA, 2015, 16\u201940\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Bat-Sheva Guez<br \/>\n<strong>Coreograf\u00eda:<\/strong> Krista Jansen<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Una bailarina lesionada huye de su vida pasada y se muda en un apartamento deteriorado &#8211; un piso con vistas hacia un mundo que se mueve a su propio ritmo.<\/p>\n<p style=\"text-align: left;\"><em>An injured dancer flees her old life and moves into a dilapidated apartment &#8211; an apartment with a view into a world that moves to a rhythm of its own.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-4702\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-4702 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">CASUAL FRIDAYS<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-4702 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-708 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Frame_2-1024x576.jpg\" alt=\"CASUAL\" width=\"1024\" height=\"576\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Frame_2-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Frame_2-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Frame_2-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Frame_2.jpg 1888w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: left;\">(Casual Fridays &#8211; My \u00abBest\u00bb Friend, According To Him)<\/p>\n<p style=\"text-align: left;\">EUA, 2015, 3\u201945\u2019\u2019<\/p>\n<p style=\"text-align: left;\"><strong>Director:<\/strong> Logan Hall, Josh Anderson<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Un hombre intenta mantener la calma mientras es forzado a cargar con un compa\u00f1ero durante el d\u00eda.<\/p>\n<p style=\"text-align: left;\"><em>A man tries to remain zen when he is forced to carry a complaining co-worker around for the day.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-block \"><div class=\"timeline-dot\"><\/div><div class=\"ult-timeline-arrow\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div id=\"timeline-item-2986\" class=\"timeline-header\" style=\"\"><h3 class=\"ult-timeline-title ult-responsive\"  data-ultimate-target='#timeline-item-2986 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">DANCERS<\/h3><div class=\"ult-responsive timeline-item-spt\"  data-ultimate-target='#timeline-item-2986 .timeline-item-spt'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: left;\"><strong><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-698 size-large\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/dancers6-1024x576.jpg\" alt=\"dancers6\" width=\"1024\" height=\"576\" srcset=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/dancers6-1024x576.jpg 1024w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/dancers6-300x169.jpg 300w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/dancers6-768x432.jpg 768w, https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/dancers6.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>(Contenido expl\u00edcito. S\u00f3lo para mayores de 18 a\u00f1os)<\/strong><\/p>\n<p style=\"text-align: left;\">Portugal, 2014, 10\u201908\u2019\u2019<br \/>\n<strong>Director:<\/strong> Ant\u00f3nio Da Silva<\/p>\n<p style=\"text-align: left;\">Premio InShadow 2014:\u00a0Mejor Director Portugu\u00e9s<\/p>\n<p style=\"text-align: left;\"><strong>Sinopsis:<\/strong><\/p>\n<p style=\"text-align: left;\">Protesta sobre la actual situaci\u00f3n financiera de Portugal y la falta de fondos para iniciativas art\u00edsticas. Este film explora una perspectiva exhibicionista del desnudo masculino.<\/p>\n<p style=\"text-align: left;\"><em>This is a statement about the current financial situation in Portugal and the lack of funding to support artistic initiatives. Eclectic dance disciplines help this film to explore an exhibitionist view of the male nude.<\/em><\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><\/div><div class=\"timeline-feature-item feat-item  \"><div class=\"feat-dot \"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow \"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-8473\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-8473 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Descubre toda la programaci\u00f3n de Choreoscope 2016<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-8473 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/p>\n<p style=\"text-align: center;\">Tres espacios. En vivo y v\u00eda streaming.<\/p>\n<p style=\"text-align: center;\">Toda la programaci\u00f3n de nuestro festival\u00a0MUY PRONTO.<\/p>\n<p><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><div class=\"timeline-feature-item feat-item feat-top \"><div class=\"feat-dot feat-top\"><div class=\"timeline-dot\"><\/div><\/div><div class=\"ult-timeline-arrow feat-top\"><s><\/s><l><\/l><\/div><div class=\"timeline-icon-block\"><div class=\"ult-timeline-icon tl-icon-no-bg\" style=\"   \"><\/div> <!-- icon --><\/div><div class=\"timeline-header-block\" >\n\t\t\t\t\t\t\t<div class=\"timeline-header\" id=\"timeline-featured-5275\"  style=\"\"><h3\n\t\t\t class=\"ult-timeline-title ult-responsive\"   data-ultimate-target='#timeline-featured-5275 .ult-timeline-title'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\">Jurado Selecci\u00f3n Oficial Choreoscope 2016<\/h3><div class=\"ult-responsive custom-lht\"  data-ultimate-target='#timeline-featured-5275 .custom-lht'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"\"><\/div><\/div> <!-- header --><\/div><\/div><div class=\"timeline-wrapper \"><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][vc_column_text]<\/p>\n<h3 class=\"ult-timeline-title ult-responsive\" data-ultimate-target=\"#timeline-item-3668 .ult-timeline-title\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">MERCEDES L. CABALLERO<\/h3>\n<div class=\"ult-responsive timeline-item-spt\" data-ultimate-target=\"#timeline-item-3668 .timeline-item-spt\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-765 size-thumbnail\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/Mercedes-L.-Caballero1-copia-150x150.jpg\" alt=\"mercedes-l-caballero\" width=\"150\" height=\"150\" \/><\/p>\n<p>Periodista, dedicada a la comunicaci\u00f3n cultural desde sus inicios. Especializada en la informaci\u00f3n, cr\u00edtica y difusi\u00f3n de la danza desde hace 15 a\u00f1os, a trav\u00e9s de diversos medios de comunicaci\u00f3n (radio y prensa escrita) organismos e instituciones. En la actualidad, colabora con varias publicaciones de artes esc\u00e9nicas y culturales, coordina la secci\u00f3n DANZA para la revista <em>Red Esc\u00e9nica, <\/em>forma parte del Consejo de Redacci\u00f3n de la publicaci\u00f3n ARTESC\u00c9NICAS, desarrolla diversas labores de comunicaci\u00f3n y participa como jurado de danza y comisiones en destacados cert\u00e1menes, programas y galardones, como el Premio Nacional de Danza 2015. Coordin\u00f3 la Revista Por La Danza y fund\u00f3 Susy-Q, en la que ha permanecido hasta 2015. Entre sus \u00faltimos proyectos figura la co-direcci\u00f3n de publicaci\u00f3n y textos del libro <em>`MES DE DANZA 20 A\u00d1OS. Una historia de la danza contempor\u00e1nea en Andaluc\u00eda\u00b4<\/em> (publicado en octubre de 2014). Autora del site y medio de comunicaci\u00f3n digital especializado <a href=\"http:\/\/unblogdedanza.com\/\">UNBLOGDEDANZA<\/a> y de UNBLOGDEDANZA TV, donde lo period\u00edstico y lo audiovisual se unen alrededor de la danza. Miembro de la Academia de las Artes Esc\u00e9nicas de Espa\u00f1a desde febrero de 2015.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_column_text]<\/p>\n<h3 class=\"ult-timeline-title ult-responsive\" data-ultimate-target=\"#timeline-item-3668 .ult-timeline-title\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">JORDI CORT\u00c9S<\/h3>\n<div class=\"ult-responsive timeline-item-spt\" data-ultimate-target=\"#timeline-item-3668 .timeline-item-spt\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-772 size-thumbnail\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/jordi-cortes2-790x490-150x150.jpg\" alt=\"jordi-cortes\" width=\"150\" height=\"150\" \/><\/p>\n<p>Prol\u00edfico creador, una f\u00e9rtil y heterog\u00e9nea trayectoria creativa, cultivada dentro y fuera de nuestro pa\u00eds. La danza contempor\u00e1nea, pero tambi\u00e9n el teatro, las audiovisuales, y la interdisciplinariedad de todas ellas, trazan el dibujo de las propuestas de Cort\u00e9s, enmarcadas desde hace unos a\u00f1os en la compa\u00f1\u00eda <a href=\"http:\/\/www.altarealitat.com\/\"><strong>Alta Realitat<\/strong>,<\/a>establecida en Barcelona desde el a\u00f1o 2003, y que encuentra su origen en la Heightened Reality, agrupaci\u00f3n que Cort\u00e9s fund\u00f3 en Londres en 2001. Con este proyecto londinense estren\u00f3 el creador piezas como Ay Carmela, Lucky y Oda a Hell of a woman. Trabajos que combinaba con sus interpretaciones en la compa\u00f1\u00eda <strong>DV8 Physical Theater<\/strong>, donde permaneci\u00f3 cinco temporadas. Creaciones como Happy hour (2003), IQ 100(2005), Prestiditaccions (2005) y V.I.T.R.I.O.L (2009) al frente de Alta Realitat, trabajos para Galili Dance y Jus de la Vie, as\u00ed como la fruct\u00edfera relaci\u00f3n con el creador <strong><a href=\"http:\/\/www.danza.es\/multimedia\/biografias\/damian-munoz\">Dami\u00e1n Mu\u00f1oz<\/a>,<\/strong> de la que han nacido los montajes <a href=\"http:\/\/www.danza.es\/multimedia\/videos\/oleles-2\"><strong>\u00d6lel\u00e9s<\/strong> <\/a>y Tres tristes Stripteases, conforman su perfil coreogr\u00e1fico.<\/p>\n<p>Sus \u00faltimas producciones son Black Out (2010) e In Heaven (2011) y como int\u00e9rprete la obra\u00a0 Viajes (2012) dirigida por Ferran Aud\u00ed.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_column_text]<\/p>\n<h3 class=\"ult-timeline-title ult-responsive\" data-ultimate-target=\"#timeline-item-3668 .ult-timeline-title\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">MARIA MOLINS<\/h3>\n<div class=\"ult-responsive timeline-item-spt\" data-ultimate-target=\"#timeline-item-3668 .timeline-item-spt\" data-responsive-json-new=\"{&quot;font-size&quot;:&quot;&quot;,&quot;line-height&quot;:&quot;&quot;}\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-771 size-thumbnail\" src=\"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-content\/uploads\/2016\/09\/MARIA-MOLINS2-150x150.jpg\" alt=\"maria-molins2\" width=\"150\" height=\"150\" \/>Actriz de cine, teatro y televisi\u00f3n, nacida en Barcelona. Despu\u00e9s de entrar en la facultad de Bellas Artes, inicia su carrera como bailarina en el <a class=\"mw-redirect\" title=\"Institut del Teatre\" href=\"https:\/\/es.wikipedia.org\/wiki\/Institut_del_Teatre\">Institut del Teatre<\/a> de Barcelona dej\u00e1ndolo en el 4\u00ba curso para dedicarse plenamente a la que ser\u00eda su vocaci\u00f3n; actriz. Se licencia en Arte Dram\u00e1tico en el mismo Institut del Teatre y despu\u00e9s de una prol\u00edfica carrera en el mundo del teatro y la televisi\u00f3n da el salto a la gran pantalla, medio a trav\u00e9s del cual recaba varias nominaciones y el <a class=\"mw-redirect\" title=\"Premio Gaud\u00ed\" href=\"https:\/\/es.wikipedia.org\/wiki\/Premio_Gaud%C3%AD\">Premio Gaud\u00ed<\/a> como mejor actriz protagonista por <i><a class=\"new\" title=\"El bosque (pel\u00edcula de 2012) (a\u00fan no redactado)\" href=\"https:\/\/es.wikipedia.org\/w\/index.php?title=El_bosque_(pel%C3%ADcula_de_2012)&amp;action=edit&amp;redlink=1\">El bosque<\/a><\/i>, dirigida por <a title=\"\u00d3scar Aibar\" href=\"https:\/\/es.wikipedia.org\/wiki\/%C3%93scar_Aibar\">\u00d3scar Aibar<\/a>.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/3&#8243;][vc_column_text] MERCEDES L. CABALLERO Periodista, dedicada a la comunicaci\u00f3n cultural desde sus inicios. Especializada en la informaci\u00f3n, cr\u00edtica y difusi\u00f3n de la danza desde hace 15 a\u00f1os, a trav\u00e9s de diversos medios de comunicaci\u00f3n (radio y prensa escrita) organismos e instituciones. En la actualidad, colabora con varias publicaciones de artes esc\u00e9nicas y culturales, coordina&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/667"}],"collection":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/comments?post=667"}],"version-history":[{"count":48,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/667\/revisions"}],"predecessor-version":[{"id":1053,"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/pages\/667\/revisions\/1053"}],"wp:attachment":[{"href":"https:\/\/www.choreoscope.com\/ediciones-anteriores\/wp-json\/wp\/v2\/media?parent=667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}