DOUGLAS ROSENBERG<\/b><\/span><\/p>\n<\/div><\/div><\/div>Best International\nShort Dance Film<\/span><\/h3><\/div>Shame<\/span><\/strong>\nLebanon, 2024<\/strong>\nDirector:<\/strong> Hadi Moussally\nChoreography:<\/strong> Hadi Moussally\n<\/b><\/p>\n<\/div><\/div><\/div>Special Mention of the Jury<\/span><\/h3><\/div>They Saw the Sun First<\/span><\/strong>\nUSA, 2020<\/strong>\nDirector:<\/strong> Stefan Hunt\nChoreography:<\/strong> Vanessa Marian\n<\/b><\/p>\n<\/div><\/div><\/div>Special Mention of the Jury<\/span><\/h3><\/div>A Bird Called Memory<\/span><\/strong>\nBrasil, UK, 2023<\/strong>\nDirector:<\/strong> Leonardo Martinelli\nChoreography:<\/strong> Soraya Bastos\n<\/b><\/p>\n<\/div><\/div><\/div>Portrait of a\nGeneration Award<\/span><\/h3><\/div>MIGRANTS<\/span><\/strong>\nIran, 2022<\/span><\/strong>\nDirector:<\/span><\/strong> Masoud Ahmadi\nCoreograf\u00eda: <\/span><\/strong>Masoud Ahmadi<\/p>\n<\/div><\/div><\/div>Outstanding Achievement\nin Dance Film<\/span><\/h3><\/div>Once Again (For the Very First Time)<\/span><\/strong>\nEUA, 2023<\/span><\/strong>\nDirector:<\/strong> <\/span>Boaz Yakin\nChoreography:<\/strong><\/span> Rennie Harris<\/p>\n<\/div>\n<\/div><\/div><\/div>Best dance sequence in a Film or Series<\/span><\/h3><\/div>Un amor<\/span><\/strong>\nSpain, 2023<\/strong>\nDirector:<\/strong> Isabel Coixet\nChoreography:<\/strong> Nekane Garc\u00eda<\/p>\n<\/div><\/div><\/div>Audience\nAward<\/span><\/h3><\/div>Dark Field Analysis<\/span><\/strong>\nGermany, Sweden<\/span>, 2022<\/span><\/span><\/span><\/strong>\nDirector:<\/strong> Jefta Van Dinther, Max Vitali\nChoreography:<\/strong> Jefta Van Dinther\n<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>EXCLUSIVE FILMOTECA<\/mark><\/h2><\/div>October 16th and 17th<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Wednesday October 16, 8pm\n<\/div><\/div><\/div>OPENING\n<\/div><\/div><\/div><\/div>Once Again<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 6pm\n<\/div><\/div><\/div>OBSESSED WITH LIGHT\n<\/div><\/div><\/div><\/div>Obsessed with light<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Migrants<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Until…<\/h3><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>INSTITUT DEL TEATRE<\/mark><\/h2><\/div>Master class: DOUGLAS ROSENBERG<\/mark><\/h3><\/div>October 18, 10am<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Friday, October 18, 10am\n<\/div><\/div><\/div>Master class\n<\/div><\/div><\/div><\/div>Verge<\/h3><\/div><\/div><\/div>\n
Shame<\/span><\/strong>\nLebanon, 2024<\/strong>\nDirector:<\/strong> Hadi Moussally\nChoreography:<\/strong> Hadi Moussally\n<\/b><\/p>\n<\/div><\/div><\/div>Special Mention of the Jury<\/span><\/h3><\/div>They Saw the Sun First<\/span><\/strong>\nUSA, 2020<\/strong>\nDirector:<\/strong> Stefan Hunt\nChoreography:<\/strong> Vanessa Marian\n<\/b><\/p>\n<\/div><\/div><\/div>Special Mention of the Jury<\/span><\/h3><\/div>A Bird Called Memory<\/span><\/strong>\nBrasil, UK, 2023<\/strong>\nDirector:<\/strong> Leonardo Martinelli\nChoreography:<\/strong> Soraya Bastos\n<\/b><\/p>\n<\/div><\/div><\/div>Portrait of a\nGeneration Award<\/span><\/h3><\/div>MIGRANTS<\/span><\/strong>\nIran, 2022<\/span><\/strong>\nDirector:<\/span><\/strong> Masoud Ahmadi\nCoreograf\u00eda: <\/span><\/strong>Masoud Ahmadi<\/p>\n<\/div><\/div><\/div>Outstanding Achievement\nin Dance Film<\/span><\/h3><\/div>Once Again (For the Very First Time)<\/span><\/strong>\nEUA, 2023<\/span><\/strong>\nDirector:<\/strong> <\/span>Boaz Yakin\nChoreography:<\/strong><\/span> Rennie Harris<\/p>\n<\/div>\n<\/div><\/div><\/div>Best dance sequence in a Film or Series<\/span><\/h3><\/div>Un amor<\/span><\/strong>\nSpain, 2023<\/strong>\nDirector:<\/strong> Isabel Coixet\nChoreography:<\/strong> Nekane Garc\u00eda<\/p>\n<\/div><\/div><\/div>Audience\nAward<\/span><\/h3><\/div>Dark Field Analysis<\/span><\/strong>\nGermany, Sweden<\/span>, 2022<\/span><\/span><\/span><\/strong>\nDirector:<\/strong> Jefta Van Dinther, Max Vitali\nChoreography:<\/strong> Jefta Van Dinther\n<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>EXCLUSIVE FILMOTECA<\/mark><\/h2><\/div>October 16th and 17th<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Wednesday October 16, 8pm\n<\/div><\/div><\/div>OPENING\n<\/div><\/div><\/div><\/div>Once Again<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 6pm\n<\/div><\/div><\/div>OBSESSED WITH LIGHT\n<\/div><\/div><\/div><\/div>Obsessed with light<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Migrants<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Until…<\/h3><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>INSTITUT DEL TEATRE<\/mark><\/h2><\/div>Master class: DOUGLAS ROSENBERG<\/mark><\/h3><\/div>October 18, 10am<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Friday, October 18, 10am\n<\/div><\/div><\/div>Master class\n<\/div><\/div><\/div><\/div>Verge<\/h3><\/div><\/div><\/div>\n
They Saw the Sun First<\/span><\/strong>\nUSA, 2020<\/strong>\nDirector:<\/strong> Stefan Hunt\nChoreography:<\/strong> Vanessa Marian\n<\/b><\/p>\n<\/div><\/div><\/div>Special Mention of the Jury<\/span><\/h3><\/div>A Bird Called Memory<\/span><\/strong>\nBrasil, UK, 2023<\/strong>\nDirector:<\/strong> Leonardo Martinelli\nChoreography:<\/strong> Soraya Bastos\n<\/b><\/p>\n<\/div><\/div><\/div>Portrait of a\nGeneration Award<\/span><\/h3><\/div>MIGRANTS<\/span><\/strong>\nIran, 2022<\/span><\/strong>\nDirector:<\/span><\/strong> Masoud Ahmadi\nCoreograf\u00eda: <\/span><\/strong>Masoud Ahmadi<\/p>\n<\/div><\/div><\/div>Outstanding Achievement\nin Dance Film<\/span><\/h3><\/div>Once Again (For the Very First Time)<\/span><\/strong>\nEUA, 2023<\/span><\/strong>\nDirector:<\/strong> <\/span>Boaz Yakin\nChoreography:<\/strong><\/span> Rennie Harris<\/p>\n<\/div>\n<\/div><\/div><\/div>Best dance sequence in a Film or Series<\/span><\/h3><\/div>Un amor<\/span><\/strong>\nSpain, 2023<\/strong>\nDirector:<\/strong> Isabel Coixet\nChoreography:<\/strong> Nekane Garc\u00eda<\/p>\n<\/div><\/div><\/div>Audience\nAward<\/span><\/h3><\/div>Dark Field Analysis<\/span><\/strong>\nGermany, Sweden<\/span>, 2022<\/span><\/span><\/span><\/strong>\nDirector:<\/strong> Jefta Van Dinther, Max Vitali\nChoreography:<\/strong> Jefta Van Dinther\n<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>EXCLUSIVE FILMOTECA<\/mark><\/h2><\/div>October 16th and 17th<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Wednesday October 16, 8pm\n<\/div><\/div><\/div>OPENING\n<\/div><\/div><\/div><\/div>Once Again<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 6pm\n<\/div><\/div><\/div>OBSESSED WITH LIGHT\n<\/div><\/div><\/div><\/div>Obsessed with light<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Migrants<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Until…<\/h3><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>INSTITUT DEL TEATRE<\/mark><\/h2><\/div>Master class: DOUGLAS ROSENBERG<\/mark><\/h3><\/div>October 18, 10am<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Friday, October 18, 10am\n<\/div><\/div><\/div>Master class\n<\/div><\/div><\/div><\/div>Verge<\/h3><\/div><\/div><\/div>\n
A Bird Called Memory<\/span><\/strong>\nBrasil, UK, 2023<\/strong>\nDirector:<\/strong> Leonardo Martinelli\nChoreography:<\/strong> Soraya Bastos\n<\/b><\/p>\n<\/div><\/div><\/div>Portrait of a\nGeneration Award<\/span><\/h3><\/div>MIGRANTS<\/span><\/strong>\nIran, 2022<\/span><\/strong>\nDirector:<\/span><\/strong> Masoud Ahmadi\nCoreograf\u00eda: <\/span><\/strong>Masoud Ahmadi<\/p>\n<\/div><\/div><\/div>Outstanding Achievement\nin Dance Film<\/span><\/h3><\/div>Once Again (For the Very First Time)<\/span><\/strong>\nEUA, 2023<\/span><\/strong>\nDirector:<\/strong> <\/span>Boaz Yakin\nChoreography:<\/strong><\/span> Rennie Harris<\/p>\n<\/div>\n<\/div><\/div><\/div>Best dance sequence in a Film or Series<\/span><\/h3><\/div>Un amor<\/span><\/strong>\nSpain, 2023<\/strong>\nDirector:<\/strong> Isabel Coixet\nChoreography:<\/strong> Nekane Garc\u00eda<\/p>\n<\/div><\/div><\/div>Audience\nAward<\/span><\/h3><\/div>Dark Field Analysis<\/span><\/strong>\nGermany, Sweden<\/span>, 2022<\/span><\/span><\/span><\/strong>\nDirector:<\/strong> Jefta Van Dinther, Max Vitali\nChoreography:<\/strong> Jefta Van Dinther\n<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>EXCLUSIVE FILMOTECA<\/mark><\/h2><\/div>October 16th and 17th<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Wednesday October 16, 8pm\n<\/div><\/div><\/div>OPENING\n<\/div><\/div><\/div><\/div>Once Again<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 6pm\n<\/div><\/div><\/div>OBSESSED WITH LIGHT\n<\/div><\/div><\/div><\/div>Obsessed with light<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Migrants<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Until…<\/h3><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>INSTITUT DEL TEATRE<\/mark><\/h2><\/div>Master class: DOUGLAS ROSENBERG<\/mark><\/h3><\/div>October 18, 10am<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Friday, October 18, 10am\n<\/div><\/div><\/div>Master class\n<\/div><\/div><\/div><\/div>Verge<\/h3><\/div><\/div><\/div>\n
MIGRANTS<\/span><\/strong>\nIran, 2022<\/span><\/strong>\nDirector:<\/span><\/strong> Masoud Ahmadi\nCoreograf\u00eda: <\/span><\/strong>Masoud Ahmadi<\/p>\n<\/div><\/div><\/div>Outstanding Achievement\nin Dance Film<\/span><\/h3><\/div>Once Again (For the Very First Time)<\/span><\/strong>\nEUA, 2023<\/span><\/strong>\nDirector:<\/strong> <\/span>Boaz Yakin\nChoreography:<\/strong><\/span> Rennie Harris<\/p>\n<\/div>\n<\/div><\/div><\/div>Best dance sequence in a Film or Series<\/span><\/h3><\/div>Un amor<\/span><\/strong>\nSpain, 2023<\/strong>\nDirector:<\/strong> Isabel Coixet\nChoreography:<\/strong> Nekane Garc\u00eda<\/p>\n<\/div><\/div><\/div>Audience\nAward<\/span><\/h3><\/div>Dark Field Analysis<\/span><\/strong>\nGermany, Sweden<\/span>, 2022<\/span><\/span><\/span><\/strong>\nDirector:<\/strong> Jefta Van Dinther, Max Vitali\nChoreography:<\/strong> Jefta Van Dinther\n<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>EXCLUSIVE FILMOTECA<\/mark><\/h2><\/div>October 16th and 17th<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Wednesday October 16, 8pm\n<\/div><\/div><\/div>OPENING\n<\/div><\/div><\/div><\/div>Once Again<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 6pm\n<\/div><\/div><\/div>OBSESSED WITH LIGHT\n<\/div><\/div><\/div><\/div>Obsessed with light<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Migrants<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Until…<\/h3><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>INSTITUT DEL TEATRE<\/mark><\/h2><\/div>Master class: DOUGLAS ROSENBERG<\/mark><\/h3><\/div>October 18, 10am<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Friday, October 18, 10am\n<\/div><\/div><\/div>Master class\n<\/div><\/div><\/div><\/div>Verge<\/h3><\/div><\/div><\/div>\n
Once Again (For the Very First Time)<\/span><\/strong>\nEUA, 2023<\/span><\/strong>\nDirector:<\/strong> <\/span>Boaz Yakin\nChoreography:<\/strong><\/span> Rennie Harris<\/p>\n<\/div>\n<\/div><\/div><\/div>Best dance sequence in a Film or Series<\/span><\/h3><\/div>Un amor<\/span><\/strong>\nSpain, 2023<\/strong>\nDirector:<\/strong> Isabel Coixet\nChoreography:<\/strong> Nekane Garc\u00eda<\/p>\n<\/div><\/div><\/div>Audience\nAward<\/span><\/h3><\/div>Dark Field Analysis<\/span><\/strong>\nGermany, Sweden<\/span>, 2022<\/span><\/span><\/span><\/strong>\nDirector:<\/strong> Jefta Van Dinther, Max Vitali\nChoreography:<\/strong> Jefta Van Dinther\n<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>EXCLUSIVE FILMOTECA<\/mark><\/h2><\/div>October 16th and 17th<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Wednesday October 16, 8pm\n<\/div><\/div><\/div>OPENING\n<\/div><\/div><\/div><\/div>Once Again<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 6pm\n<\/div><\/div><\/div>OBSESSED WITH LIGHT\n<\/div><\/div><\/div><\/div>Obsessed with light<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Migrants<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Until…<\/h3><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>INSTITUT DEL TEATRE<\/mark><\/h2><\/div>Master class: DOUGLAS ROSENBERG<\/mark><\/h3><\/div>October 18, 10am<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Friday, October 18, 10am\n<\/div><\/div><\/div>Master class\n<\/div><\/div><\/div><\/div>Verge<\/h3><\/div><\/div><\/div>\n
Un amor<\/span><\/strong>\nSpain, 2023<\/strong>\nDirector:<\/strong> Isabel Coixet\nChoreography:<\/strong> Nekane Garc\u00eda<\/p>\n<\/div><\/div><\/div>Audience\nAward<\/span><\/h3><\/div>Dark Field Analysis<\/span><\/strong>\nGermany, Sweden<\/span>, 2022<\/span><\/span><\/span><\/strong>\nDirector:<\/strong> Jefta Van Dinther, Max Vitali\nChoreography:<\/strong> Jefta Van Dinther\n<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>EXCLUSIVE FILMOTECA<\/mark><\/h2><\/div>October 16th and 17th<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Wednesday October 16, 8pm\n<\/div><\/div><\/div>OPENING\n<\/div><\/div><\/div><\/div>Once Again<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 6pm\n<\/div><\/div><\/div>OBSESSED WITH LIGHT\n<\/div><\/div><\/div><\/div>Obsessed with light<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Migrants<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Until…<\/h3><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>INSTITUT DEL TEATRE<\/mark><\/h2><\/div>Master class: DOUGLAS ROSENBERG<\/mark><\/h3><\/div>October 18, 10am<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Friday, October 18, 10am\n<\/div><\/div><\/div>Master class\n<\/div><\/div><\/div><\/div>Verge<\/h3><\/div><\/div><\/div>\n
Dark Field Analysis<\/span><\/strong>\nGermany, Sweden<\/span>, 2022<\/span><\/span><\/span><\/strong>\nDirector:<\/strong> Jefta Van Dinther, Max Vitali\nChoreography:<\/strong> Jefta Van Dinther\n<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>EXCLUSIVE FILMOTECA<\/mark><\/h2><\/div>October 16th and 17th<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Wednesday October 16, 8pm\n<\/div><\/div><\/div>OPENING\n<\/div><\/div><\/div><\/div>Once Again<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 6pm\n<\/div><\/div><\/div>OBSESSED WITH LIGHT\n<\/div><\/div><\/div><\/div>Obsessed with light<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Migrants<\/h3><\/div><\/div><\/div>\n<\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Thursday 17 October, 9pm\n<\/div><\/div><\/div>FOCUS IR\u00c1N\n<\/div><\/div><\/div><\/div>Until…<\/h3><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>INSTITUT DEL TEATRE<\/mark><\/h2><\/div>Master class: DOUGLAS ROSENBERG<\/mark><\/h3><\/div>October 18, 10am<\/mark><\/h3><\/div><\/div><\/div><\/span><\/a><\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>Friday, October 18, 10am\n<\/div><\/div><\/div>Master class\n<\/div><\/div><\/div><\/div>Verge<\/h3><\/div><\/div><\/div>\n