{"id":270,"date":"2021-07-19T10:19:00","date_gmt":"2021-07-19T10:19:00","guid":{"rendered":"https:\/\/www.choreoscope.com\/premios-historia\/"},"modified":"2025-10-29T08:58:07","modified_gmt":"2025-10-29T07:58:07","slug":"awards-history","status":"publish","type":"page","link":"https:\/\/www.choreoscope.com\/en\/awards-history\/","title":{"rendered":"Awards \/ History"},"content":{"rendered":"

<\/a>AWARDS 2024<\/mark><\/h2><\/div><\/div><\/div>

Honorary
\nAward 2023-2024<\/span><\/h3><\/div>

DOUGLAS ROSENBERG<\/b><\/span><\/p>\n<\/div><\/div><\/div>

Best International
\nShort Dance Film<\/span><\/h3><\/div>

Shame<\/span><\/strong>
\nLebanon, 2024<\/strong>
\nDirector:<\/strong> Hadi Moussally
\nChoreography:<\/strong> Hadi Moussally
\n<\/b><\/p>\n<\/div><\/div><\/div>

Special Mention of the Jury<\/span><\/h3><\/div>

They Saw the Sun First<\/span><\/strong>
\nUSA, 2020<\/strong>
\nDirector:<\/strong> Stefan Hunt
\nChoreography:<\/strong> Vanessa Marian
\n<\/b><\/p>\n<\/div><\/div><\/div>

Special Mention of the Jury<\/span><\/h3><\/div>

A Bird Called Memory<\/span><\/strong>
\nBrasil, UK, 2023<\/strong>
\nDirector:<\/strong> Leonardo Martinelli
\nChoreography:<\/strong> Soraya Bastos
\n<\/b><\/p>\n<\/div><\/div><\/div>

Portrait of a
\nGeneration Award<\/span><\/h3><\/div>

MIGRANTS<\/span><\/strong>
\nIran, 2022<\/span><\/strong>
\nDirector:<\/span><\/strong> Masoud Ahmadi
\nCoreograf\u00eda: <\/span><\/strong>Masoud Ahmadi<\/p>\n<\/div><\/div><\/div>

Outstanding Achievement
\nin Dance Film<\/span><\/h3><\/div>

Once Again (For the Very First Time)<\/span><\/strong>
\nEUA, 2023<\/span><\/strong>
\nDirector:<\/strong> <\/span>Boaz Yakin
\nChoreography:<\/strong><\/span> Rennie Harris<\/p>\n

<\/div>\n<\/div><\/div><\/div>

Best dance sequence in a Film or Series<\/span><\/h3><\/div>

Un amor<\/span><\/strong>
\nSpain, 2023<\/strong>
\nDirector:<\/strong> Isabel Coixet
\nChoreography:<\/strong> Nekane Garc\u00eda<\/p>\n<\/div><\/div><\/div>

Audience
\nAward<\/span><\/h3><\/div>

Dark Field Analysis<\/span><\/strong>
\nGermany, Sweden<\/span>, 2022<\/span><\/span><\/span><\/strong>
\nDirector:<\/strong> Jefta Van Dinther, Max Vitali
\nChoreography:<\/strong> Jefta Van Dinther
\n<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>

AWARDS 2023<\/mark><\/h2><\/div><\/div><\/div>

Honorary<\/mark><\/h3><\/div>

Award 2023-2024<\/mark><\/h3><\/div>

DOUGLAS ROSENBERG<\/b><\/span><\/p>\n<\/div><\/div><\/div>

Best International <\/mark><\/h3><\/div>

Short Dance Film<\/mark><\/h3><\/div>

BEYOND THE OFF SCREEN\u00a0 (Au-del\u00e0 du hors-champ)<\/b><\/span>
\nCanada, 2022<\/b><\/span>
\nDirector:<\/strong><\/span> Axel Robin
\nChoreography: <\/strong><\/span>Laurence Wells<\/p>\n

Special Mention:<\/span><\/p>\n

\u300aAFFLATUS\u300b<\/b><\/span>
\nChina, 2022<\/b><\/span>
\nDirector:<\/strong><\/span> Ying Jin Yu
\nChoreography: <\/strong><\/span>Ying Jin Yu<\/p>\n

\n
Special Mention:<\/span><\/div>\n<\/div>\n

CLEPSYDRA<\/b><\/span>
\nNorway, 2023<\/b><\/span>
\nDirector:<\/strong><\/span> Victoria Beate W\u00e6lgaard
\nChoreography: <\/strong><\/span>Hanne Elisabeth Svenning, Erlend Auestad Danielsen<\/p>\n<\/div><\/div><\/div>

Audience<\/mark><\/h3><\/div>

Award<\/mark><\/h3><\/div>

TANK FAIRY<\/b><\/span>
\nTaiwan, 2021<\/b><\/span>
\nDirector:<\/strong><\/span> Erich Rettstadt \u96f7\u5229
\nChoreography: <\/strong><\/span>Akuma Diva Xtravaganza \u5f90\u767e\u5ddd<\/p>\n<\/div><\/div><\/div>

Portrait of a <\/mark><\/h3><\/div>

Generation Award<\/mark><\/h3><\/div>

THIRD ACT<\/b><\/span>
\nBelgium, 2019<\/b><\/span>
\nDirector:<\/strong><\/span> Lotte Stoops, Mieke Struyve
\nChoreography:<\/strong><\/span>Peeping Tom<\/p>\n<\/div><\/div><\/div>

Outstanding\u00a0 Achievement<\/mark><\/h3><\/div>

in Dance Film<\/mark><\/h3><\/div>

ROMANCE<\/b><\/span>
\nGermany, 2023<\/span><\/strong>
\nDirector:<\/strong> <\/span> Samantha Shay
\nChoreography:<\/strong><\/span> Samantha Shay and the cast<\/p>\n<\/div><\/div><\/div>

Best dance sequence in a Film or Series<\/mark><\/h3><\/div>

LA RUTA<\/span><\/strong>
\nSpain, 2022<\/strong>
\nChoreography:<\/strong> Josefina Gorostiza (S1 ep6)
\nAlex Rubio
\nCreated by:<\/strong> Borja Soler y Roberto Mart\u00edn Maiztegui
\nProduction:<\/strong> Caballo Films
\nDistribution:<\/strong> Atresmedia Televisi\u00f3n, ATRESplayer PREMIUM<\/p>\n<\/div><\/div><\/div><\/div><\/div>

AWARDS 2022<\/mark><\/h2><\/div><\/div><\/div>

Honorary <\/mark><\/h3><\/div>

Award<\/mark><\/h3><\/div>

Katrina Mc Pherson<\/b><\/span><\/p>\n<\/div><\/div><\/div>

Best International<\/span><\/span><\/span><\/mark><\/h3><\/div>

Short Dance Film<\/span><\/span><\/span><\/mark><\/h3><\/div>

Anima Animae Animam<\/b><\/span>
\nES, 2021<\/span><\/strong>
\nDirector:<\/strong> Julieta Gasroc, Jos\u00e9 (Putxa) Puchades Mart\u00ednez<\/span>
\nChoreography:<\/strong><\/span> Elena Lalucat, Jonathan Guisado, Pino Steiner, Ram\u00f3n R\u00f3denas, David Maqueda, Bruno Valls, Julieta Gasroc, Jos\u00e9 Puchades (Putxa), Dora Cantero<\/p>\n<\/div>

Special mention<\/mark><\/h3><\/div>

Go Around<\/b><\/span>
\nJP, 2021<\/span><\/strong>
\nDirector:<\/strong> Zoo-Zoo<\/span>
\nChoreography:<\/strong><\/span> Zoo-Zoo<\/p>\n<\/div>

Special mention<\/mark><\/h3><\/div>

Prendre le nord (Due north)<\/b><\/span>
\nCanada, 2022<\/span><\/strong>
\nDirector:<\/strong> Chantal Caron<\/span>
\nChoreography:<\/strong><\/span> Chantal Caron<\/span><\/p>\n<\/div><\/div><\/div>

Audience<\/span><\/span><\/span><\/mark><\/h3><\/div>

Award<\/span><\/span><\/span><\/mark><\/h3><\/div>

Bailar la locura (Dancing the madness)<\/b><\/span>
\nES, 2021<\/b><\/span>
\nDirector:<\/strong><\/span> Marta Espar, Maiol Virgili
\nChoreography: <\/strong><\/span>Claudia G\u00f3mez, Amaiur Luluaga, Montse \u00c1lvarez<\/p>\n<\/div><\/div><\/div>

Outstanding\u00a0 Achievement in Dance Film<\/mark><\/h3><\/div>

Coppelia<\/b><\/span>
\nNL, DE, BE 2021<\/span><\/strong>
\nDirector:<\/strong> <\/span>Jeff Tudor, Steven De Beul, Ben Tesseur
\nChoreography:<\/strong><\/span> Ted Brandsen<\/p>\n<\/div><\/div><\/div>

Portrait of a Generation Award<\/mark><\/h3><\/div>

Uprooted<\/b><\/span>
\nEUA, 2021<\/b><\/span>
\nDirector:<\/strong><\/span> Khadifa Wong
\nChoreography:<\/strong><\/span>Zak Nemorin<\/p>\n<\/div><\/div><\/div>

Best Dance Opening Title Sequence in a Film or Series<\/mark><\/h3><\/div>

WINNER<\/mark><\/h3><\/div>

After Yang<\/span><\/strong>
\nChoreography: Celia Rowlson-Hall
\nhttps:\/\/www.youtube.com\/watch?v=dRGU2J8BfvA<\/a><\/p>\n<\/div>

nominees<\/mark><\/h3><\/div>

After Yang<\/span><\/strong>
\nChoreography: Celia Rowlson-Hall
\nhttps:\/\/www.youtube.com\/watch?v=dRGU2J8BfvA<\/a><\/p>\n

Pachinko<\/span><\/strong>
\nChoreography: Louise Hradsky
\nhttps:\/\/www.youtube.com\/watch?v=1GgKXR_J-ww<\/a><\/p>\n

Severance<\/span><\/strong>
\nDesign: Oliver Latta (Director\/Creative Director\/Art Director\/Editor\/Animator\/3D Artist) &
\nTeddy Blanks (Typographer\/Typography Animation)
\nhttps:\/\/www.youtube.com\/watch?v=NmS3m0OG-Ug<\/a><\/p>\n

Peacemaker<\/span><\/strong>
\nChoreography: Charissa-Lee Barton
\nhttps:\/\/www.youtube.com\/watch?v=_mrr3UNALww<\/a><\/p>\n

Beastars<\/span><\/strong>
\nDesign: Michiya Kat\u014d (Cyclone Graphics), Dwarf Studios
\nhttps:\/\/www.youtube.com\/watch?v=bgo9dJB_icw<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div>

AWARDS 2021<\/mark><\/h2><\/div><\/div><\/div>

Honorary <\/mark><\/h3><\/div>

Award<\/mark><\/h3><\/div>

Wim Vandekeybus<\/b><\/span><\/p>\n<\/div><\/div><\/div>

Best International<\/mark><\/h3><\/div>

Short Dance Film <\/mark><\/h3><\/div>

They Dance With Their Heads<\/b><\/span>
\nCanada, 2021<\/span><\/strong>
\nDirector, Choreography:<\/strong>\u00a0Thomas Corriveau<\/span><\/p>\n<\/div>

Special Mention<\/mark><\/h3><\/div>

Before We Collide<\/b><\/span>
\nUK, 2021<\/span><\/strong>
\nDirector, Choreography:<\/strong> Guy Gooch, Gregor Petrikovic<\/span><\/p>\n<\/div>

Special Mention<\/mark><\/h3><\/div>

Er\u00eakau\u00e3<\/b><\/span>
\nBrasil, 2021<\/span><\/strong>
\nDirector:<\/strong> Paulo Accioly<\/span>
\nChoreography:<\/strong><\/span> Ernane Ferreira<\/p>\n<\/div><\/div><\/div>

Audience <\/mark><\/h3><\/div>

Award<\/mark><\/h3><\/div>

Abbiosis<\/b><\/span>
\nSpain, 2021<\/span><\/strong>
\nDirector, Choreography:<\/strong> Luc\u00eda Garc\u00eda<\/span><\/p>\n<\/div><\/div><\/div>

Outstanding Achievement<\/mark><\/h3><\/div>

in Dance Film<\/mark><\/h3><\/div>

Romeo Y Julieta: Beyond Words<\/b><\/span>
\nRU, 2019<\/span><\/strong>
\nDirector:<\/strong> <\/span>Michael Nunn, William Trevitt
\nChoreography:<\/strong><\/span> Sir Kenneth MacMillan<\/p>\n<\/div><\/div><\/div>

Portrait of a <\/mark><\/h3><\/div>

Generation Award<\/mark><\/h3><\/div>

Malditos<\/b><\/span>
\nSpain, Italy, 2020<\/b><\/span>
\nDirector:<\/strong><\/span> Elena Goatelli, Angel Esteban
\nChoreography:<\/strong><\/span> Compa\u00f1\u00eda Malditos: Alberto Velasco | Ana Talenti | Carmen Del Conte | Guillermo Barrientos | Jos\u00e9 Luis Ferrer | Karmen Garay | Manuel Filgueira | Nacho Mateos | Nuria L\u00f3pez | Rub\u00e9n Fr\u00edas | Txabi P\u00e9rez | Sara P\u00e1rbole<\/p>\n<\/div><\/div><\/div>

Best Dance Sequence in a Series or Feature Film<\/mark><\/h3><\/div>

WINNER<\/mark><\/h3><\/div>

Giri\/Haji<\/b><\/span>
\n(S1, Ep8)
\nUK, 2019<\/span><\/strong>
\nDirector:<\/strong> Julian Farino<\/span>
\nChoreography:<\/strong><\/span> Liam Steel<\/p>\n<\/div>

NOMINEES<\/mark><\/h3><\/div>

Joker<\/strong><\/span><\/p>\n

Climax<\/strong><\/span><\/p>\n

I\u2019m Thinking of Ending Things<\/strong><\/span><\/p>\n

It\u2019s Always Sunny in Philadelphia:<\/strong><\/span>
\nMac Finds His Pride (S13, Ep 10)<\/strong><\/span><\/p>\n

Giri\/Haji<\/strong><\/span><\/p>\n<\/div>+ information<\/a>