Duraction: <\/strong><\/span>0:05:50<\/p>\nDirector:<\/span><\/strong> Sebasti\u00e1n Lelio<\/p>\nChoreography:<\/strong><\/span> Martin Tatta<\/p>\nCountry, Year:<\/strong><\/span> Chile, Argentina, 2023<\/p>\nRRSS:<\/strong><\/span> IG, FB @matthewherbertmusic X @matthewherbert<\/p>\nSynopsis<\/strong><\/span>
\nDirected by Academy Award winning director Sebasti\u00e1n Lelio, it features the Doma India technique for bonding with a horse.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/never-give-up.jpg\" "\\"never-give-up\\"")
<\/span><\/div><\/div><\/div>Never Give Up<\/h2><\/div>Duraction: <\/strong><\/span>0:09:50<\/p>\nDirector:<\/span><\/strong> Robbie Gibbon<\/p>\nChoreography:<\/strong><\/span> Marisa Reid<\/p>\nCountry, Year:<\/strong><\/span> United Kingdom, 2025<\/p>\nRRSS:<\/strong><\/span> IG, FB @pigwashentertainment X @PigwashComedy<\/p>\nSynopsis<\/strong><\/span>
\nThe only way to succeed is to never give up, believes Marissa, who is giving the first step in her journey to become a world famous dancer, a goal she has no idea how to achieve nor where to start.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/a-last-dance.jpg\" "\\"a-last-dance\\"")
<\/span><\/div><\/div><\/div>A Last Dance<\/h2><\/div>Duraction: <\/strong><\/span>0:08:00<\/p>\nDirector:<\/span><\/strong> Rami Al Rabih<\/p>\nChoreography:<\/strong><\/span> Le\u00efla Seri Hartel,N\u00e9ph\u00e9lie PNZ<\/p>\nCountry, Year:<\/strong><\/span> France, Lebanon 2024<\/p>\nSynopsis<\/strong><\/span>
\nN\u00e9ph\u00e9lie reluctantly agrees to meet Leila one last time to complete their ongoing video dance project.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/hiphop-puree.jpg\" "\\"hiphop-puree\\"")
<\/span><\/div><\/div><\/div>Hiphop Pur\u00e9e<\/h2><\/div>Duraction: <\/strong><\/span>0:02:56<\/p>\nDirector:<\/span><\/strong> Ryan Renshaw<\/p>\nChoreography:<\/strong><\/span> Jack Lister<\/p>\nCountry, Year:<\/strong><\/span> Australia, 2024<\/p>\nRRSS:<\/strong><\/span> IG @kioskfilm<\/p>\nSynopsis<\/strong><\/span>
\nTwo sisters confront supernatural suburban forces and their own dark secrets on a perilous journey to Thursday night dinner.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/cut-me-summa-dat-noise.jpg\" "\\"cut-me-summa-dat-noise\\"")
<\/span><\/div><\/div><\/div>Cut Me Summa Dat Noise<\/h2><\/div>Duraction: <\/strong><\/span>0:06:12<\/p>\nDirector:<\/span><\/strong> Cara Hagan<\/p>\nChoreography:<\/strong><\/span> Cara Hagan, Margaret Morrison, Deborah Mitchell, Lisa LaTouche, Alexis Robbins, Adante Power, Kyleigh Vickars, Rae Walsh<\/p>\nCountry, Year:<\/strong><\/span> United States, 2024<\/p>\nRRSS:<\/strong><\/span> IG @cutmesummadatnoise_film<\/p>\nSynopsis<\/strong><\/span>
\nA film about community that celebrates the rhythms of everyday life through the eyes of a neighborhood matriarch who sets the tone for a new day with the beat of her own heart.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/benin-did-not-die.jpg\" "\\"benin-did-not-die\\"")
<\/span><\/div><\/div><\/div>Benin Did Not Die She Sends Her Regards<\/h2><\/div>Duraction: <\/strong><\/span>0:10:24<\/p>\nDirector:<\/span><\/strong> David Osaodion Odiase, Prince Uhunoma Charles<\/p>\nChoreography:<\/strong><\/span> Angela Okolo<\/p>\nCountry, Year:<\/strong><\/span> Nigeria, 2024<\/p>\nRRSS:<\/strong><\/span> “IG @TheDavidOdiase
\nIG @BeninDidNotDie”<\/p>\nSynopsis<\/strong><\/span>
\nThis is the journey of a peculiar throng of mourners, accompanied by a poet and a group of performers in a semi-urban African town, on their way to bury their dead. It is a poetry film project on African arts and restitution that uses the Benin Punitive Expedition of 1897 as a fulcrum. This aims to spotlight the impact of cultural loss due to colonialism, correct racist narratives, and portray the heritage of Africa as told by Africans.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/and-me-im-dancing-too.jpg\" "\\"and-me-im-dancing-too\\"")
<\/span><\/div><\/div><\/div>And Me, I’m Dancing Too<\/h2><\/div>Duraction: <\/strong><\/span>0:20:33<\/p>\nDirector:<\/span><\/strong> Mohammad Valizadegan<\/p>\nChoreography:<\/strong><\/span> Hadis Nazari<\/p>\nCountry, Year:<\/strong><\/span> Czech Republic, Iran, 2023<\/p>\nRRSS:<\/strong><\/span> #eurtopemedianest @europemedianest<\/p>\nSynopsis<\/strong><\/span>
\nSaba, an Iranian girl, is a dancer. She wants to be indifferent to her surroundings and project this self-being and freedom with her body. But the art of being is forbidden in an ultimately religious state that ignores the very basic human rights. A portrait of the daily oppression women have to deal with in Iran towards the path to freedom.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/masks-all-the-way-down.jpg\" "\\"masks-all-the-way-down\\"")
<\/span><\/div><\/div><\/div>Masks all the Way Down<\/h2><\/div>Duraction: <\/strong><\/span>0:10:04<\/p>\nDirector:<\/span><\/strong> Litza Bixler<\/p>\nChoreography:<\/strong><\/span> Litza Bixler<\/p>\nCountry, Year:<\/strong><\/span> United Kingdom, 2024<\/p>\nSynopsis<\/strong><\/span>
\nInspired by The Green Table (Kurt Jooss) and set in a smoky, hyper-masculine gentleman\u2019s club; dancers move into and out of tableaux; they gesture emphatically; they fight and they fall as they argue and ultimately refuse to budge. A woman occasionally appears at the edge of the frame, dancing soulfully in the margins. But no matter how hard she tries, she cannot break in or through.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/the-rider.jpg\" "\\"the-rider\\"")
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