Mouvement Perp\u00e9tuel<\/h1><\/div>November 28 – 10 AM- Institut del Teatre<\/h2><\/div>Free admission<\/h3><\/div><\/div><\/div><\/div><\/div>Screendance Award<\/h2><\/div>With the participation of directors Marlene Millar and Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\nIn collaboration with Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\nMouvement Perp\u00e9tuel<\/strong> is an award-winning Montreal-based independent film, video, and new media production company specializing in arts programming. Co-directors Marlene Millar and Philip Szporer create impressionistic dance-media films, arts documentaries and multi-channel video installations, feature expansive choreographies and portraits of some of Canada\/Quebec\u2019s leading contemporary dancers and choreographers and from across cultures within the Americas, Europe and Asia. Viewers are invited into a deeply intimate tracing of the curvatures of rich human experience.<\/p>\n25 years of history:<\/strong> a retrospective of work from Mouvement Perp\u00e9tuel’s catalogue. It’s not easy creating a body of work over time, but we are not just still here but alive and thriving creating new work. We\u2019ve been exploring the screendance genre of filmmaking with personal projects, interrogating and inscribing the very nature of dance and human movement in relation to film.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/bhairava.jpg\" "\\"bhairava\\"")
<\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>Duration: <\/strong><\/span>0:13:45<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/span><\/strong> Shantala Shivalingappa<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2017<\/p>\nSynopsis<\/strong><\/span>
\nBhairava evokes facets of Shiva, the Lord of Dance, as both the destroyer of evil and the guardian of time. He is fierce and drives terrible deeds, but he is also the Divine Protector and Supreme Guardian, and his intention springs from pure compassion. In this work, carried by a strong and deeply evocative musical score and by the singular energy of the ancient site of Hampi, dancer and choreographer Shantala Shivalingappa embodies the presence and distinctive qualities of Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/the-hunt.jpg\" "\\"the-hunt\\"")
<\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>Duration: <\/strong><\/span>0:04:48<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Sharon Moore<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2005<\/p>\nRRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\nSynopsis<\/strong><\/span>
\nThe intensity of an internal struggle manifests itself externally, as revealed through an intimate, fragmented view of dancer Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/40.jpg\" "\\"40\\"")
<\/span><\/div><\/div><\/div>40<\/h2><\/div>Duration: <\/strong><\/span>0:05:30<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2005<\/p>\nSynopsis<\/strong><\/span>
\nA man at a pivotal point in his life: 40-something, still vital and strong yet taking stock, unmasking, and exposing his hopes, passions, vulnerabilities, and regrets. An homage to the late Ken Roy that follows his journey of self-discovery.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/the-greater-the-weight.jpg\" "\\"the-greater-the-weight\\"")
<\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>Duration: <\/strong><\/span>0:05:20<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Dana Michel<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2008<\/p>\nSynopsis<\/strong><\/span>
\nA reflection on the moment when one stumbles, whether by accident or on purpose. Sometimes one can recover quickly and get up again\u2026 sometimes it\u2019s not that easy. The result is an exploration of the body as an instrument in a symphony of rupture and flow.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/byron-chief-moon-grey-horse-rider.jpg\" "\\"byron-chief-moon-grey-horse-rider\\"")
<\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Byron Chief-Moon<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2007<\/p>\nSynopsis<\/strong>
\nThrough his art and his life, Chief-Moon’s story is one of cultural survival. Themes of his dance creations begin with his people’s traditional stories, his attachment to the land and his community, as well as the inner conflict he faces in existing within Indigenous culture and the wider community.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/maboungou.jpg\" "\\"maboungou\\"")
<\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Zab Maboungou<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2022<\/p>\nSynopsis<\/strong><\/span>
\nFor over 30 years, Montr\u00e9al-based choreographer and philosopher Zab Maboungou, of Franco-Congolese origin, has galvanized the contemporary dance scene with her radically rethought conception of time, body, and self. Her political history, artistry, and pioneering research have empowered other African artists around the world.<\/p>\n<\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.choreoscope.com\/wp-content\/uploads\/2025\/10\/mercy.jpg\" "\\"mercy\\"")
<\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>Duration: <\/strong><\/span>0:16:00<\/p>\nDirector:<\/span><\/strong> Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2025<\/p>\nSynopsis<\/strong><\/span>
\nMercy weaves poetry and imagery with gesture, movement and voice into an intricate meditation on Black womanhood. The film voices issues of race, place and identity, and dives into the double-voiced discourses of a particular Black literary tradition concerning the complication of the slave learning their captor\u2019s language.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4744","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMouvement P\u00e9rpetuel - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/en\/mouvement-perpetuel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouvement P\u00e9rpetuel - 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November 28 – 10 AM- Institut del Teatre<\/h2><\/div>Free admission<\/h3><\/div><\/div><\/div><\/div><\/div>Screendance Award<\/h2><\/div>With the participation of directors Marlene Millar and Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\nIn collaboration with Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\nMouvement Perp\u00e9tuel<\/strong> is an award-winning Montreal-based independent film, video, and new media production company specializing in arts programming. Co-directors Marlene Millar and Philip Szporer create impressionistic dance-media films, arts documentaries and multi-channel video installations, feature expansive choreographies and portraits of some of Canada\/Quebec\u2019s leading contemporary dancers and choreographers and from across cultures within the Americas, Europe and Asia. Viewers are invited into a deeply intimate tracing of the curvatures of rich human experience.<\/p>\n25 years of history:<\/strong> a retrospective of work from Mouvement Perp\u00e9tuel’s catalogue. It’s not easy creating a body of work over time, but we are not just still here but alive and thriving creating new work. We\u2019ve been exploring the screendance genre of filmmaking with personal projects, interrogating and inscribing the very nature of dance and human movement in relation to film.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>Duration: <\/strong><\/span>0:13:45<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/span><\/strong> Shantala Shivalingappa<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2017<\/p>\nSynopsis<\/strong><\/span>
\nBhairava evokes facets of Shiva, the Lord of Dance, as both the destroyer of evil and the guardian of time. He is fierce and drives terrible deeds, but he is also the Divine Protector and Supreme Guardian, and his intention springs from pure compassion. In this work, carried by a strong and deeply evocative musical score and by the singular energy of the ancient site of Hampi, dancer and choreographer Shantala Shivalingappa embodies the presence and distinctive qualities of Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>Duration: <\/strong><\/span>0:04:48<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Sharon Moore<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2005<\/p>\nRRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\nSynopsis<\/strong><\/span>
\nThe intensity of an internal struggle manifests itself externally, as revealed through an intimate, fragmented view of dancer Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>40<\/h2><\/div>Duration: <\/strong><\/span>0:05:30<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2005<\/p>\nSynopsis<\/strong><\/span>
\nA man at a pivotal point in his life: 40-something, still vital and strong yet taking stock, unmasking, and exposing his hopes, passions, vulnerabilities, and regrets. An homage to the late Ken Roy that follows his journey of self-discovery.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>Duration: <\/strong><\/span>0:05:20<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Dana Michel<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2008<\/p>\nSynopsis<\/strong><\/span>
\nA reflection on the moment when one stumbles, whether by accident or on purpose. Sometimes one can recover quickly and get up again\u2026 sometimes it\u2019s not that easy. The result is an exploration of the body as an instrument in a symphony of rupture and flow.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Byron Chief-Moon<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2007<\/p>\nSynopsis<\/strong>
\nThrough his art and his life, Chief-Moon’s story is one of cultural survival. Themes of his dance creations begin with his people’s traditional stories, his attachment to the land and his community, as well as the inner conflict he faces in existing within Indigenous culture and the wider community.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Zab Maboungou<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2022<\/p>\nSynopsis<\/strong><\/span>
\nFor over 30 years, Montr\u00e9al-based choreographer and philosopher Zab Maboungou, of Franco-Congolese origin, has galvanized the contemporary dance scene with her radically rethought conception of time, body, and self. Her political history, artistry, and pioneering research have empowered other African artists around the world.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>Duration: <\/strong><\/span>0:16:00<\/p>\nDirector:<\/span><\/strong> Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2025<\/p>\nSynopsis<\/strong><\/span>
\nMercy weaves poetry and imagery with gesture, movement and voice into an intricate meditation on Black womanhood. The film voices issues of race, place and identity, and dives into the double-voiced discourses of a particular Black literary tradition concerning the complication of the slave learning their captor\u2019s language.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4744","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMouvement P\u00e9rpetuel - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/en\/mouvement-perpetuel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouvement P\u00e9rpetuel - 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Free admission<\/h3><\/div><\/div><\/div><\/div><\/div>Screendance Award<\/h2><\/div>With the participation of directors Marlene Millar and Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\nIn collaboration with Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\nMouvement Perp\u00e9tuel<\/strong> is an award-winning Montreal-based independent film, video, and new media production company specializing in arts programming. Co-directors Marlene Millar and Philip Szporer create impressionistic dance-media films, arts documentaries and multi-channel video installations, feature expansive choreographies and portraits of some of Canada\/Quebec\u2019s leading contemporary dancers and choreographers and from across cultures within the Americas, Europe and Asia. Viewers are invited into a deeply intimate tracing of the curvatures of rich human experience.<\/p>\n25 years of history:<\/strong> a retrospective of work from Mouvement Perp\u00e9tuel’s catalogue. It’s not easy creating a body of work over time, but we are not just still here but alive and thriving creating new work. We\u2019ve been exploring the screendance genre of filmmaking with personal projects, interrogating and inscribing the very nature of dance and human movement in relation to film.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>Duration: <\/strong><\/span>0:13:45<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/span><\/strong> Shantala Shivalingappa<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2017<\/p>\nSynopsis<\/strong><\/span>
\nBhairava evokes facets of Shiva, the Lord of Dance, as both the destroyer of evil and the guardian of time. He is fierce and drives terrible deeds, but he is also the Divine Protector and Supreme Guardian, and his intention springs from pure compassion. In this work, carried by a strong and deeply evocative musical score and by the singular energy of the ancient site of Hampi, dancer and choreographer Shantala Shivalingappa embodies the presence and distinctive qualities of Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>Duration: <\/strong><\/span>0:04:48<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Sharon Moore<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2005<\/p>\nRRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\nSynopsis<\/strong><\/span>
\nThe intensity of an internal struggle manifests itself externally, as revealed through an intimate, fragmented view of dancer Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>40<\/h2><\/div>Duration: <\/strong><\/span>0:05:30<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2005<\/p>\nSynopsis<\/strong><\/span>
\nA man at a pivotal point in his life: 40-something, still vital and strong yet taking stock, unmasking, and exposing his hopes, passions, vulnerabilities, and regrets. An homage to the late Ken Roy that follows his journey of self-discovery.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>Duration: <\/strong><\/span>0:05:20<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Dana Michel<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2008<\/p>\nSynopsis<\/strong><\/span>
\nA reflection on the moment when one stumbles, whether by accident or on purpose. Sometimes one can recover quickly and get up again\u2026 sometimes it\u2019s not that easy. The result is an exploration of the body as an instrument in a symphony of rupture and flow.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Byron Chief-Moon<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2007<\/p>\nSynopsis<\/strong>
\nThrough his art and his life, Chief-Moon’s story is one of cultural survival. Themes of his dance creations begin with his people’s traditional stories, his attachment to the land and his community, as well as the inner conflict he faces in existing within Indigenous culture and the wider community.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Zab Maboungou<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2022<\/p>\nSynopsis<\/strong><\/span>
\nFor over 30 years, Montr\u00e9al-based choreographer and philosopher Zab Maboungou, of Franco-Congolese origin, has galvanized the contemporary dance scene with her radically rethought conception of time, body, and self. Her political history, artistry, and pioneering research have empowered other African artists around the world.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>Duration: <\/strong><\/span>0:16:00<\/p>\nDirector:<\/span><\/strong> Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2025<\/p>\nSynopsis<\/strong><\/span>
\nMercy weaves poetry and imagery with gesture, movement and voice into an intricate meditation on Black womanhood. The film voices issues of race, place and identity, and dives into the double-voiced discourses of a particular Black literary tradition concerning the complication of the slave learning their captor\u2019s language.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4744","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMouvement P\u00e9rpetuel - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/en\/mouvement-perpetuel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouvement P\u00e9rpetuel - 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Screendance Award<\/h2><\/div>With the participation of directors Marlene Millar and Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\nIn collaboration with Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\nMouvement Perp\u00e9tuel<\/strong> is an award-winning Montreal-based independent film, video, and new media production company specializing in arts programming. Co-directors Marlene Millar and Philip Szporer create impressionistic dance-media films, arts documentaries and multi-channel video installations, feature expansive choreographies and portraits of some of Canada\/Quebec\u2019s leading contemporary dancers and choreographers and from across cultures within the Americas, Europe and Asia. Viewers are invited into a deeply intimate tracing of the curvatures of rich human experience.<\/p>\n25 years of history:<\/strong> a retrospective of work from Mouvement Perp\u00e9tuel’s catalogue. It’s not easy creating a body of work over time, but we are not just still here but alive and thriving creating new work. We\u2019ve been exploring the screendance genre of filmmaking with personal projects, interrogating and inscribing the very nature of dance and human movement in relation to film.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>Duration: <\/strong><\/span>0:13:45<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/span><\/strong> Shantala Shivalingappa<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2017<\/p>\nSynopsis<\/strong><\/span>
\nBhairava evokes facets of Shiva, the Lord of Dance, as both the destroyer of evil and the guardian of time. He is fierce and drives terrible deeds, but he is also the Divine Protector and Supreme Guardian, and his intention springs from pure compassion. In this work, carried by a strong and deeply evocative musical score and by the singular energy of the ancient site of Hampi, dancer and choreographer Shantala Shivalingappa embodies the presence and distinctive qualities of Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>Duration: <\/strong><\/span>0:04:48<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Sharon Moore<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2005<\/p>\nRRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\nSynopsis<\/strong><\/span>
\nThe intensity of an internal struggle manifests itself externally, as revealed through an intimate, fragmented view of dancer Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>40<\/h2><\/div>Duration: <\/strong><\/span>0:05:30<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2005<\/p>\nSynopsis<\/strong><\/span>
\nA man at a pivotal point in his life: 40-something, still vital and strong yet taking stock, unmasking, and exposing his hopes, passions, vulnerabilities, and regrets. An homage to the late Ken Roy that follows his journey of self-discovery.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>Duration: <\/strong><\/span>0:05:20<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Dana Michel<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2008<\/p>\nSynopsis<\/strong><\/span>
\nA reflection on the moment when one stumbles, whether by accident or on purpose. Sometimes one can recover quickly and get up again\u2026 sometimes it\u2019s not that easy. The result is an exploration of the body as an instrument in a symphony of rupture and flow.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Byron Chief-Moon<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2007<\/p>\nSynopsis<\/strong>
\nThrough his art and his life, Chief-Moon’s story is one of cultural survival. Themes of his dance creations begin with his people’s traditional stories, his attachment to the land and his community, as well as the inner conflict he faces in existing within Indigenous culture and the wider community.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\nDirector:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Zab Maboungou<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2022<\/p>\nSynopsis<\/strong><\/span>
\nFor over 30 years, Montr\u00e9al-based choreographer and philosopher Zab Maboungou, of Franco-Congolese origin, has galvanized the contemporary dance scene with her radically rethought conception of time, body, and self. Her political history, artistry, and pioneering research have empowered other African artists around the world.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>Duration: <\/strong><\/span>0:16:00<\/p>\nDirector:<\/span><\/strong> Philip Szporer<\/p>\nChoreography:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\nCountry, Year:<\/strong><\/span> Canada, 2025<\/p>\nSynopsis<\/strong><\/span>
\nMercy weaves poetry and imagery with gesture, movement and voice into an intricate meditation on Black womanhood. The film voices issues of race, place and identity, and dives into the double-voiced discourses of a particular Black literary tradition concerning the complication of the slave learning their captor\u2019s language.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4744","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMouvement P\u00e9rpetuel - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/en\/mouvement-perpetuel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouvement P\u00e9rpetuel - 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With the participation of directors Marlene Millar and Philip Szporer (Mouvement Perp\u00e9tuel)<\/strong><\/p>\n In collaboration with Bureau du Qu\u00e9bec \u00e0 Barcelone<\/strong><\/p>\n Mouvement Perp\u00e9tuel<\/strong> is an award-winning Montreal-based independent film, video, and new media production company specializing in arts programming. Co-directors Marlene Millar and Philip Szporer create impressionistic dance-media films, arts documentaries and multi-channel video installations, feature expansive choreographies and portraits of some of Canada\/Quebec\u2019s leading contemporary dancers and choreographers and from across cultures within the Americas, Europe and Asia. Viewers are invited into a deeply intimate tracing of the curvatures of rich human experience.<\/p>\n 25 years of history:<\/strong> a retrospective of work from Mouvement Perp\u00e9tuel’s catalogue. It’s not easy creating a body of work over time, but we are not just still here but alive and thriving creating new work. We\u2019ve been exploring the screendance genre of filmmaking with personal projects, interrogating and inscribing the very nature of dance and human movement in relation to film.<\/p>\n<\/div><\/div><\/div><\/div><\/div> Duration: <\/strong><\/span>0:13:45<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Choreography:<\/span><\/strong> Shantala Shivalingappa<\/p>\n Country, Year:<\/strong><\/span> Canada, 2017<\/p>\n Synopsis<\/strong><\/span> Duration: <\/strong><\/span>0:04:48<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Choreography:<\/strong><\/span> Sharon Moore<\/p>\n Country, Year:<\/strong><\/span> Canada, 2005<\/p>\n RRSS:<\/strong><\/span> Fb, IG @oskarluko<\/p>\n Synopsis<\/strong><\/span> Duration: <\/strong><\/span>0:05:30<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Choreography:<\/strong><\/span> Ken Roy, Charmaine LeBlanc, France Roy<\/p>\n Country, Year:<\/strong><\/span> Canada, 2005<\/p>\n Synopsis<\/strong><\/span> Duration: <\/strong><\/span>0:05:20<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Choreography:<\/strong><\/span> Dana Michel<\/p>\n Country, Year:<\/strong><\/span> Canada, 2008<\/p>\n Synopsis<\/strong><\/span> Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Choreography:<\/strong><\/span> Byron Chief-Moon<\/p>\n Country, Year:<\/strong><\/span> Canada, 2007<\/p>\n Synopsis<\/strong> Duration: <\/strong><\/span>00:10:00 (excerpt)<\/p>\n Director:<\/span><\/strong> Marlene Millar, Philip Szporer<\/p>\n Choreography:<\/strong><\/span> Zab Maboungou<\/p>\n Country, Year:<\/strong><\/span> Canada, 2022<\/p>\n Synopsis<\/strong><\/span> Duration: <\/strong><\/span>0:16:00<\/p>\n Director:<\/span><\/strong> Philip Szporer<\/p>\n Choreography:<\/strong><\/span> Ami Shulman, Angelique Willkie, Amara Barner<\/p>\n Country, Year:<\/strong><\/span> Canada, 2025<\/p>\n Synopsis<\/strong><\/span><\/span><\/div><\/div><\/div>Bhairava<\/h2><\/div>
\nBhairava evokes facets of Shiva, the Lord of Dance, as both the destroyer of evil and the guardian of time. He is fierce and drives terrible deeds, but he is also the Divine Protector and Supreme Guardian, and his intention springs from pure compassion. In this work, carried by a strong and deeply evocative musical score and by the singular energy of the ancient site of Hampi, dancer and choreographer Shantala Shivalingappa embodies the presence and distinctive qualities of Bhairava.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Hunt<\/h2><\/div>
\nThe intensity of an internal struggle manifests itself externally, as revealed through an intimate, fragmented view of dancer Peter Trosztmer.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>40<\/h2><\/div>
\nA man at a pivotal point in his life: 40-something, still vital and strong yet taking stock, unmasking, and exposing his hopes, passions, vulnerabilities, and regrets. An homage to the late Ken Roy that follows his journey of self-discovery.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>The Greater the Weight<\/h2><\/div>
\nA reflection on the moment when one stumbles, whether by accident or on purpose. Sometimes one can recover quickly and get up again\u2026 sometimes it\u2019s not that easy. The result is an exploration of the body as an instrument in a symphony of rupture and flow.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Byron Chief-Moon: Grey Horse Rider<\/h2><\/div>
\nThrough his art and his life, Chief-Moon’s story is one of cultural survival. Themes of his dance creations begin with his people’s traditional stories, his attachment to the land and his community, as well as the inner conflict he faces in existing within Indigenous culture and the wider community.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>MABOUNGOU: Being in the World<\/h2><\/div>
\nFor over 30 years, Montr\u00e9al-based choreographer and philosopher Zab Maboungou, of Franco-Congolese origin, has galvanized the contemporary dance scene with her radically rethought conception of time, body, and self. Her political history, artistry, and pioneering research have empowered other African artists around the world.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div>Mercy<\/h2><\/div>
\nMercy weaves poetry and imagery with gesture, movement and voice into an intricate meditation on Black womanhood. The film voices issues of race, place and identity, and dives into the double-voiced discourses of a particular Black literary tradition concerning the complication of the slave learning their captor\u2019s language.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4744","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\n