{"id":5484,"date":"2026-07-03T12:34:00","date_gmt":"2026-07-03T10:34:00","guid":{"rendered":"https:\/\/www.choreoscope.com\/xerinola-26\/"},"modified":"2026-07-24T12:26:07","modified_gmt":"2026-07-24T10:26:07","slug":"xerinola-26","status":"publish","type":"page","link":"https:\/\/www.choreoscope.com\/en\/xerinola-26\/","title":{"rendered":"Xerinola 26"},"content":{"rendered":"

<\/div>

Xerinola<\/h1><\/div>

October 1st – 6:30 PM – Cinemes Girona<\/h2><\/div>

Advance tickets and box office sales<\/strong>
\n\u23f3 1h19min
\n\ud83c\udf9e\ufe0f choreo-shorts
\n\ud83d\udc83 contemporary, butoh, ballet, experimental, flamenco
\nSession adapted for people with hearing impairments (subtitles and sign language interpreter)<\/strong><\/h3><\/div>

Xerinola’s local art brings us closer to the Catalan and Spanish vision of today’s world. A journey from the northern lights to the depths of the sea, from the church where chains are broken to the room where two sisters reclaim their freedom. Butoh for cows, Flamenco without gender, and a man walking without knowing where he’s headed. Xerinola looks at what’s close by and tells it through dance.<\/p>\n<\/div>

TICKETS<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
<\/span><\/div><\/div><\/div>

Ind\u00f2mita<\/h2><\/div>

Duration: <\/strong><\/span>00:06:00
\nDirector:<\/span><\/strong> Tanit Graffelman
\nChoreography:<\/span><\/strong> Tanit Graffelman, Idoia Rodr\u00edguez, Amaia Mart\u00ednez, Clarissa Costagliola, Ariadna Gelabert, Julie Van Minnebruggen, Mar\u00eda Jos\u00e9 Ruiz
\nCountry, Year:<\/strong><\/span> Spain, 2025
\nSocial media:<\/strong><\/span> IG @taniitg
\nSynopsis<\/strong><\/span>
\nThrough a choreographic body of seven women set in the striking desert landscape of the Ebro Valley, the work explores the relationship between the female body and nature.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Parallel Worlds<\/h2><\/div>

Duration: <\/strong><\/span>0:02:08
\nDirector:<\/span><\/strong> Tasya Menaker
\nChoreography:<\/strong><\/span> Annabelle Widmann, Liz Kueneke
\nCountry, Year:<\/strong><\/span> Spain, 2025
\nSocial media:<\/strong><\/span> IG @aguascopio
\nSynopsis<\/strong><\/span>
\nA powerful new world where waters shimmer with hidden dimensions. Each ripple acts as a doorway to myth and magic, amplified by an immersive electronic soundscape.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

El gesto de portar agua<\/span><\/p>\n
<\/div><\/h2><\/div>

Duration: <\/strong><\/span>0:09:50
\nDirector:<\/span><\/strong> Paula Botella Andreu, Carmen Porras
\nCountry, Year:<\/strong><\/span> Germany, Spain, 2025
\nSynopsis<\/strong><\/span>
\nThe Qu\u00e9ntar Dam reimagined as a sacred threshold between the weight of history and the radiance of living memory. Drawing upon the ancestral movements of women to heal the rift opened by the arrival of Modernity, looking to transform a landscape in crisis into a shimmering expanded garden.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Ritual de servei<\/span><\/h2><\/div>

Duration: <\/strong><\/span>0:06:00
\nDirector:<\/span><\/strong> Joaqu\u00edn Baus Auil
\nChoreography:<\/strong><\/span> Teatro Movimiento Anstatuanto
\nCountry, Year:<\/strong><\/span> Spain, 2026
\nSynopsis<\/strong><\/span>
\nTwo sisters serve in the house of a monsieur, living under the pressure of harsh rules and manipulation, caught in the spell of a wicked magician. One day they realize that it can no longer continue \u2014 it is time to claim their freedom.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Effet\u00e1<\/span><\/p>\n
<\/div><\/h2><\/div>

Duration: <\/strong><\/span>0:07:00
\nDirector:<\/span><\/strong> Roger Bayerri, Jacob G\u00f3mez
\nChoreography:<\/strong><\/span> Jacob G\u00f3mez
\nCountry, Year:<\/strong><\/span> Spain, 2026
\nSocial media:<\/span><\/strong> IG @iabarcelona IG @contemporarydanceiab IG @jacob_gomez_ruiz
\nSynopsis<\/strong><\/span>
\nEffet\u00e1 \u2014which means \u2018open yourself\u2019\u2014, a rite present in religious traditions, is transformed into a danced liturgy. Inside a church, veils, tears, and gestures fall, crack, and are released from oppression. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Errape<\/span><\/h2><\/div>

Duration: <\/strong><\/span>0:09:30
\nDirector:<\/span><\/strong> Maitane Dorronsoro Erauntzetamurgil
\nChoreography:<\/strong><\/span> Ainhoa Alberdi Gisasola
\nCountry, Year:<\/strong><\/span> 2025, Basque Country
\nSocial media:<\/strong><\/span> IG @maitadorron
\nSynopsis<\/strong><\/span>
\nWorld premiere.<\/strong> Butoh to talk about the dairy industry.
\nIt plays between a narrative and improvisation for about 10 minutes. A sequence of shots which is based on the experimentation of movement, image, and sound.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

L’energumen<\/h2><\/div>

Duration: <\/strong><\/span>0:05:34
\nDirector:<\/span><\/strong> Albert Barros Cantero
\nChoreography:<\/strong><\/span> Albert Barros Cantero
\nCountry, Year:<\/strong><\/span> Spain, 2025
\nSocial media:<\/strong><\/span> IG @albertfunk36
\nSynopsis<\/strong><\/span>
\nA 31-year-old man living a solitary life is forced to leave his home and embark on a bewildering journey due to forces beyond human understanding.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Field Recordings from Oblivion<\/h2><\/div>

Duration: <\/strong><\/span>0:21:09
\nDirector:<\/span><\/strong> Ferran Gordillo Palah\u00ed
\nChoreography:<\/strong><\/span> Ferran Gordillo Palah\u00ed
\nCountry, Year:<\/strong><\/span> Spain, 2025
\nSocial media:<\/strong> IG @ukupacha_company
\nSynopsis<\/strong><\/span>
\nAn emotional journey that guides us through an ephemeral encounter into the depths of two minds, with love and oblivion as a backdrop and the perspective of a digital culture that remembers everything.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

El vuelo del mant\u00f3n<\/span><\/h2><\/div>

Duration: <\/strong><\/span>0:05:35
\nDirector:<\/span><\/strong> Jaime Dezcallar
\nChoreography:<\/strong><\/span> Manuel Li\u00f1\u00e1n
\nCountry, Year:<\/strong><\/span> Spain, 2026
\nSocial media:<\/strong><\/span> IG @catorce_comunicacion
\nSynopsis<\/strong><\/span>
\nManuel Li\u00f1\u00e1n is a Flamenco dancer and choreographer who has transformed the art form, making it freer and more contemporary. The Flight of the Shawl is a sole\u00e1 performed with bata de cola and shawl\u2014elements historically associated with female Flamenco. In an art form so deeply rooted in tradition, innovation is not always understood, and controversy can erupt quickly and fiercely. Manuel knows this all too well.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

The Hand Dryer<\/span><\/h2><\/div>

Duration: <\/strong><\/span>0:04:04
\nDirector:<\/span><\/strong> Iker Karrera, Alberto D. Centeno and Nacho Monge
\nChoreography:<\/strong><\/span> Iker Karrera
\nCountry, Year:<\/strong><\/span> Spain, 2026
\nSocial media:<\/strong><\/span> IG @krera IG @albertodcenteno IG @nacho_monge
\nSynopsis<\/strong><\/span>
\nThe Hand Dryer speaks of loneliness, of facing unexpected company, of communicating with the other in discomfort.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Gestos<\/h2><\/div>

Duration: <\/strong><\/span>0:07:40
\nDirector:<\/span><\/strong> Pablo Ros Cardona
\nChoreography:<\/strong><\/span> Lula Amir
\nCountry, Year:<\/strong><\/span> Spain, 2026
\nSocial media:<\/strong> IG @lula_amir
\nSynopsis<\/strong><\/span>
\nA sensory-visual essay on the loss of gesture due to the use of technology.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5484","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nXerinola 26 - Choreoscope<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.choreoscope.com\/ca\/xerinola-26\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Xerinola 26 - Choreoscope\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.choreoscope.com\/ca\/xerinola-26\/\" \/>\n<meta property=\"og:site_name\" content=\"Choreoscope\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-24T10:26:07+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.choreoscope.com\/ca\/xerinola-26\/\",\"url\":\"https:\/\/www.choreoscope.com\/ca\/xerinola-26\/\",\"name\":\"Xerinola 26 - 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